Skip to main content

A Ghost Story for Christmas: The Mezzotint review – a glittering half-hour nugget

You’ll be in thrall to Mark Gatiss’s smart, snappy and utterly hammy ghost story within seconds. What a creepy Christmas gift to us all

Oh, the warm, expansive joy to be had from a chilly, compact ghost story! And A Ghost Story for Christmas: The Mezzotint (BBC Two), an MR James short story adapted by aficionado Mark Gatiss into a glittering half-hour nugget, is an absolute treat. These two masters of their forms can nudge even the most committed sceptic into willingly suspending their disbelief for a tight 30 minutes, especially when the plot runs like clockwork and is as stuffed with actors as a stocking is with gifts.

There is Rory Kinnear as Edward Williams, the curator of a university art museum who spends most of his days politely declining offers of unsuitable Delftware from local ladies. We are in Victorian Times so he has a Victorian Moustache and sometimes plays Victorian Golf, wearing Victorian Plus Fours. His friend Binks (John Hopkins) likewise (I assume there was a terrific two-for-one offer on in the BBC costume department). A dealer sends Williams an unremarkable mezzotint engraving of an unidentified manor house somewhere in Sussex or Essex – the label is torn.

Continue reading...

from Culture | The Guardian https://ift.tt/3mxkW2y

Comments

Popular posts from this blog

Degrees of separation: what connects Seinfeld to Steve Bannon?

From the US sitcom to the far-right rabble rouser, we go down the rabbit hole, thanks to the arrival of Jerry’s show on Netflix Seinfeld All 180 episodes of the 90s’ most misanthropic sitcom have arrived on Netflix, but not everyone is happy. Some viewers have complained that the new transfer puts Jerry Seinfeld ’s show in a different aspect ratio: from an older square format to widescreen … yada-yada … now the picture crops out some sight gags and just seems slightly bizarro . Motion impossible: fallout It’s not the first time modern technology has caused problems. HD TVs can make even visually stunning films look like cheap soap operas, through motion smoothing – a process to reduce blurring (good for on-screen sport). But Tom Cruise was there to save the day: in a slightly awkward 2018 video , he explained how to adjust TV settings to undo this flat fiasco. Continue reading... from Culture | The Guardian https://ift.tt/3mr722c