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Showing posts from November, 2021

There Is No Evil review – passionate plea against Iran’s soul-poisoning executions

Dissident Mohammad Rasoulof blasts against his country’s profligate use of capital punishment that includes making citizens carry out death sentences Maybe you don’t go to Iranian cinema for nail-biting action and suspense. But that’s what you are given in this arresting portmanteau film, the Golden Bear winner at last year’s Berlin film festival. It is written and directed by film-maker and democracy campaigner Mohammad Rasoulof, who has repeatedly been victimised by the Iranian government for his dissident “propaganda” – most recently, in 2020, with a one-year prison sentence and two-year ban on film-making. As with Rasoulof’s fellow Iranian director Jafar Panahi , a ban of this sort can be finessed, by playing on the government’s strange pedantry and hypocrisy. If the film is technically registered to someone else and shown outside Iran at international film festivals where its appearance boosts Iran’s cultural prestige, the authorities appear to let it slide, though persist with

The 50 best albums of 2021: 50-41

Our countdown opens with a list of LPs that includes Gojira’s climate-crisis rally-cry and an uplifting house full-length from US producer Eris Drew The best songs of 2021 More on the best culture of 2021 By Ben Beaumont-Thomas and Laura Snapes This list is drawn from votes by Guardian music critics – each critic votes for their Top 20 albums, with points allocated for each placing. Check in every weekday to see our next picks, and please share your own favourite albums of 2021 in the comments below. Continue reading... from Culture | The Guardian https://ift.tt/3p9Ni3f

Where to start with Stephen Sondheim: 10 of the best from the maestro

Discover the musical theatre titan through the life-changing cast album of Company, Imelda Staunton’s phenomenal turn in Gypsy, birthday concerts and his essential book on lyric writing Sondheim is gone but his songs and shows, as Cameron Mackintosh said , will be performed forever. Fortunately there is a wealth of material – recordings, documentaries, books – that give us a good idea of his impact on the culture of his times. I here offer a list of 10 of the best that is highly selective and intensely subjective; but then each of us has our own store of Sondheim memories and favoured works. Continue reading... from Culture | The Guardian https://ift.tt/3d2lLuY

David Dalaithngu obituary: Walkabout star a ‘consummate actor’ who helped reinvent Australian film

Dalaithngu had key roles in Storm Boy, The Last Wave and worked with Rolf de Heer in The Tracker, Ten Canoes and Charlie’s Country David Dalaithngu, a titanic force in Australian cinema, dies after lung cancer diagnosis The charismatic actor, mesmerising dancer and cultural icon David Dalaithngu is finally going home. Dalaithngu, of the Mandhalpuyngu clan in Arnhem Land, spent his final years battling lung cancer in the care of his friend Mary Hood in Murray Bridge, in South Australia. He often said how much he missed his country but understood his deteriorating health made it impossible to travel. With his trademark dry humour, Dalaithngu told film-maker and friend Molly Reynolds in 2020 that he was “going back to country on a one-way ticket”. He died on Monday aged 68. Continue reading... from Culture | The Guardian https://ift.tt/3o4QkGF

UK film classification board tightens up on N-word and racism

BBFC says ‘attitudes have shifted’ after conducting research into onscreen language and behaviour The British Board of Film Classification (BBFC) is adopting a stricter position on the use of racist language in programmes, saying “attitudes had shifted” towards the use of outdated and offensive behaviour or language. The UK regulator said programmes featuring the N-word should not be classified lower than 12A/12 unless in exceptional circumstances, such as a documentary or biopic with a clear educational value and appeal to younger audiences. Continue reading... from Culture | The Guardian https://ift.tt/2ZCWlkx

Bree Runway, Holly Humberstone and Lola Young nominated for Brits Rising Star award

The nominees will be hoping to follow in the footsteps of previous winners such as Griff and Adele – with the winner announced on 10 December As tips season begins in earnest, the Brit awards has named the shortlist for its annual Rising Star prize. London pop star Bree Runway, Lincolnshire songwriter Holly Humberstone and London balladeer Lola Young – who soundtracks this year’s festive John Lewis advert – will compete for the prize formerly known as the Critics’ Choice award. As with 2019 and 2018, all three nominees are female solo artists. They will be hoping to follow in the footsteps of previous winners such as Adele, Sam Fender, Rag’n’Bone Man and last year’s winner, Griff. The award is open to British artists who have not achieved a UK Top 20 album or more than one Top 20 single by 31 October 2021. Continue reading... from Culture | The Guardian https://ift.tt/3cZz0fY

Novelist Bernardine Evaristo to be president of Royal Society of Literature

Author best known for Booker-winning Girl, Woman, Other will be first writer of colour in position Bernardine Evaristo is to be the next president of the Royal Society of Literature, becoming the first writer of colour to hold the position. Evaristo, whose novel Girl, Woman, Other won the Booker prize in 2019, will take over from Marina Warner at the end of this year. She will be the second female president in the society’s 200-year history. Continue reading... from Culture | The Guardian https://ift.tt/316hUuL

House of Gucci is ‘painful and insulting’, says Gucci family

Heirs of Aldo Gucci issue statement taking issue with Ridley Scott’s film but have stopped short of legal action Surviving family members of the Gucci fashion dynasty have expressed unhappiness with their representation in the new film House of Gucci . In a statement issued on Monday, the heirs of Aldo Gucci – who ran the fashion house for 33 years until the mid-1980s – said they were aggrieved by the lack of consultation by film-makers, as well as their portrayal as “thugs, ignorant and insensitive to the world around them”. Continue reading... from Culture | The Guardian https://ift.tt/3E81T5t

Dublin’s famous music pub The Cobblestone saved from developers

Refusal of planning permission for hotel seen as victory against destruction of city’s cultural heritage Ireland’s most famous traditional music pub has been saved after a Dublin city council planning decision that is being heralded as a landmark victory over property developers. Plans to turn the three-storey Cobblestone pub and Irish music school in the Smithfield area into a hotel sparked anger in a growing debate about the development of the capital at the cost of cultural heritage. Continue reading... from Culture | The Guardian https://ift.tt/3E7wSyy

In the Eye of the Wild by Nastassja Martin review – life after being ‘kissed’ by a bear

A close escape from the jaws of a bear leads to an exploration of trauma and survival in the French anthropologist’s funny and horrifying memoir With her second book, French anthropologist Nastassja Martin seeks to tell us what happens when an unstoppable force meets an immovable object. In August 2015, when living among the Even people of Russia’s Kamchatka Peninsula, she – the immovable object: a headstrong, combative woman – met the unstoppable force of a large brown bear. Her story to begin with is simple, and beautifully gruesome. She writes of “the bear’s kiss on my face, his teeth closing over me, my jaw cracking, my skull cracking” – but, impaled by a well-placed ice axe, he changes his mind, departs, and leaves her with “features subsumed beneath the open gulfs in my face, slicked over with internal tissue”. And so this short but chewy book thickens up into a stew of memoir, drama, anthropology and metaphysics – or how the immovable object moved, and changed. Continue read

Frantz Fanon’s Enduring Legacy

The post-colonial thinker’s seminal book, “The Wretched of the Earth,” described political oppression in psychological terms. What are its lessons for our current moment? from Culture: TV, Movies, Music, Art, and Theatre News and Reviews https://ift.tt/3o3d5uJ

Night Raiders review – search for Native American children turns dystopian sci-fi

Danis Goulet’s cautionary tale of an Indigenous mother’s rescue mission with overtones of the residential school scandal is thinly characterised Centring on a dystopian North America where Indigenous children are abducted and placed in state-run institutions to be brainwashed – a detail that recalls the shameful history of Canadian residential schools – this is a cautionary tale from Cree-Métis director Danis Goulet that has the commendable aim of reclaiming sci-fi tropes that recklessly appropriate the trauma of minority groups. But despite these lofty intentions and a wealth of Native American talent, the film follows a highly predictable path where the plight of Indigenous communities never amounts to anything more than simplified metaphors. Night Raiders follows the arduous journey of Niska (Elle-Máijá Tailfeathers), a Cree woman regretting her decision to give up her injured daughter Waseese (Brooklyn Letexier-Hart) to the authoritarian state. The film zigzags between lush fore

Sam Mendes on Stephen Sondheim: ‘He was passionate, utterly open and sharp as a knife’

From their exhilarating collaborations to a supper for two that ended in tears, the director shares his most personal memories of the musicals legend who took theatre to extraordinary new heights He kept a selection of grooming utensils in his guest bathroom: nail scissors, implements for trimming nose hair, that sort of thing. He had a slightly shambolic air, and a listing gait, like a grad student impersonating a grownup, or as if his nanny had brushed his hair for him that morning. He would rock his head back when he talked and often spoke with his eyes closed, like someone communing with a higher power, which he probably was. His latest enthusiasms were always near the surface – to hear him speak about Rory Kinnear’s Hamlet , for example, was to make one want to go and see it all over again (he actually flew a group of his New York friends to London to see the production). He was equally expressive in his condemnation of work he didn’t care for. He was passionate, opinionated, uni

Down but not out: film, theatre, art and more to help deal with failure

From Oscar Isaac’s underperforming folk singer to The Good Place, Guardian critics offer up bittersweet culture for when success eludes you Pinching together the lapels of his inadequate jacket against a freezing New York February, cat-losing folk singer Llewyn Davis (Oscar Isaac) trudges in slush-filled shoes back from a failed audition in Chicago, to fail a second time: his gig at the Gaslight Cafe becomes just a footnote to Bob Dylan’s appearance that same night. Joel and Ethan Coen’s Inside Llewyn Davis kept faith with its themes by underperforming at the box office but, like the songs Llewyn soulfully performs to an audience of practically no one, its tragicomic portrait of defeat retains a lovely, sad-eyed warmth, as a rare and absurdly comforting minor-key anthem for life’s also-rans. Jessica Kiang Continue reading... from Culture | The Guardian https://ift.tt/3lj3AWn

Stealing Chaplin review – charm pays in messy crime caper

Sibling graverobbers spark off each other in the somewhat true story of an attempt to ransom the comedy legend’s body At one point in Stealing Chaplin, a sozzled huckster tries to pry open a Union Jack-draped coffin as Land of Hope and Glory rings out on the soundtrack. Maybe this somewhat amateurish but spunky low-budget crime film has hit on something: in the post-Brexit era, Brits are no longer stock movie villains; conmen and chancers are our natural fits now. The hustle here is in splendidly questionable taste: the casket is Charlie Chaplin’s, whom brother grifters Cal (Simon Phillips) and Terry (Doug Phillips) have disinterred in order to ransom his body so they can pay off the $30,000 they owe to Las Vegas gangsters. You’d be forgiven for being suspicious, but this is actually based on a true story – though the theft occurred in 1978 in Switzerland, where Chaplin is buried in real life. Director Paul Tanter juices it up into an Ocean’s 11-style caper complete with rinky-dink

The Falling Thread by Adam O’Riordan review – stately family saga

This poised, Jamesian debut novel about a Manchester family in the lead up to the first world war is a masterclass in detail and atmosphere One of my favourite poems is Auden’s Musée des Beaux Arts . In it, the poet writes of how the old masters recognised the “human position” of suffering: “how it takes place / While someone else is eating or opening a window or just walking dully along”. Auden summons the image of Bruegel’s Landscape With the Fall of Icarus , where the mythical drama is playing out in the background, while “everything turns away / Quite leisurely from the disaster”. This poem and the painting it describes seem like a useful model for thinking about Adam O’Riordan’s gentle and intimate first novel, The Falling Thread . The book opens in the white heat of the trenches: a barrage of shells approaches and Lieutenant Wright begins to count. “If he got to a thousand, he’d have made it.” Then the novel spools back in time to an earlier generation of the Wright family: it

Squid Game marbles? Taylor Swift’s stolen scarf? It’s the culture Christmas gift guide 2021!

From postpunk stationery to Harry Styles nail polish and a beach towel celebrating the woman who shot Andy Warhol … get your Christmas in gear with our guide to the hottest presents for your best art friend Vintage Wagner throw Want to snuggle up with Wagner? It’s not the usual response to the man whose name is synonymous with epic, monumental and (for many) impenetrable grand opera, but if tickets to Bayreuth are beyond your budget, this throw adorned with the German composer’s austere figure means that the Wagner-obsessive in your life can wear their heart on their sleeve, or at least their fanaticism on their futon. £50.21, redbubble.com Sopranos cookbook Become the capo of your kitchen and celebrate the rich culinary history of mobster cuisine with The Sopranos Family Cookbook: As Compiled by Artie Bucco. “What, no fucking ziti?” Wrong. There’s plenty of ziti (even Janice has chipped in with a vegetarian recipe). First published in 2002 but rediscovered over lockdown as people

‘I owe an enormous debt to therapy!’ Rita Moreno on West Side Story, dating Brando and joy at 90

She overcame racism and abuse to break Hollywood, romanced Brando, dated Elvis to make him jealous, fought hard for civil rights and won an Egot. Now in her 10th decade, she is busier and happier than ever Rita Moreno pops up on my computer screen in a bright red hat, huge pendant necklace and tortoiseshell glasses. “Well, here I am in my full glory,” she says from her home in Berkeley, California. And glorious she sure is. Moreno is a couple of weeks short of her 90th birthday, but look at her and you would knock off 20 years. Listen to her and you would knock off another 50. Can I wish you an advance happy birthday, I ask. “Yes, you can. Isn’t it exciting ?” Moreno is one of the acting greats. But she could have been so much greater. She is one of only six women to have bagged the Egot (Emmy, Grammy, Oscar and Tony awards), alongside Helen Hayes, Audrey Hepburn, Barbra Streisand, Whoopi Goldberg and Liza Minnelli. Yet she has spent much of her career battling typecasting or simply

The 20 best songs of 2021

We celebrate everything from Lil Nas X’s conservative-baiting Montero to Wet Leg’s instant indie classic – as voted for by 31 of the Guardian’s music writers Continue reading... from Culture | The Guardian https://ift.tt/3paLg32

American Rust review – Jeff Daniels is stuck in an opioid Groundhog Day

With a depressed cop, a troubled war veteran and general blue-collar gloom and doom, we’ve seen this cliche-heavy drama a thousand times – and Mare of Easttown is a hard act to follow “Folks say that as we get on, life is a series of indignities,” muses a judge to a police chief in a small American town. “I’m not sure I see it that way. Because once you don’t give a shit how you look or what people think, then nothing seems like an indignity.” He Irishes up his coffee with whiskey. “If my man boobs are blocking the view of my shoes, so what?” It’s a good question, the kind of lugubrious, cod-philosophical rhetoric that bejewels the dramatic wasteland of American Rust (Sky Atlantic) . But there is a problem. Between page and shot, the man boobs have gone walkies, and it’s the judge’s beer belly that is obscuring his shoes. Is nobody paying attention to continuity? Continue reading... from Culture | The Guardian https://ift.tt/3D0Z4Ss

‘No one could cry to Shaggy’s It Wasn’t Me’: David O’Doherty’s honest playlist

The comedian can’t get enough of Miles Davis and Warren Zevon – but which 90s pop ballad does he perform when no one’s around? The first single I ever bought There is a great temptation to lie here. But hand on heart, it was [beloved ITV puppet] Roland Rat Superstar’s novelty rap Rat Rapping. He was rapping about being a puppet of a rat. I remember thinking: “Wow, this will stand the test of time, this is worth spending £1.75 on,” or however much a single was in 1983. *** Continue reading... from Culture | The Guardian https://ift.tt/312MhSQ

The big idea: Should we worry about artificial intelligence?

Could AI turn on us, or is natural stupidity a greater threat to humanity? Ever since Garry Kasparov lost his second chess match against IBM’s Deep Blue in 1997, the writing has been on the wall for humanity. Or so some like to think. Advances in artificial intelligence will lead – by some estimates, in only a few decades – to the development of superintelligent, sentient machines. Movies from The Terminator to The Matrix have portrayed this prospect as rather undesirable. But is this anything more than yet another sci-fi “Project Fear”? Some confusion is caused by two very different uses of the phrase artificial intelligence. The first sense is, essentially, a marketing one: anything computer software does that seems clever or usefully responsive – like Siri – is said to use “AI”. The second sense, from which the first borrows its glamour, points to a future that does not yet exist, of machines with superhuman intellects. That is sometimes called AGI, for artificial general intellig

Strictly Come Dancing 2021: week 10 – as it happened

John and Johannes took on the Argentine Tango, while Tilly and Nikita did the Samba to Dua Lipa. But with the Glitterball in touching distance, who sailed through to the quarter final – and who went home? Very much enjoying the drama of this, and Rose is doing some nice fan work in the opening solo section. Great intent and nice timing from Rose, and love the Flamenco section in the middle, but would have liked a bit more power - it feels a bit soft in places. Great start to the show though, really enjoyed that. Their Week Ten dance is the Paso Doble to ‘California Dreamin’ by Sia. This is essentially a shouty version of the Mamas & The Papas original, so it could work really well as a Paso. Rose does brilliant characterisation and storytelling, so I have high hopes for this. Continue reading... from Culture | The Guardian https://ift.tt/316M9S7

Tate exhibition to explore gallery’s links to Caribbean slave trade

Curator of Life Between Islands: Caribbean-British Art says institutions must take responsibility for past British institutions must take responsibility for their history of benefiting from slavery, the curator of a new landmark exhibition of Caribbean-British art at Tate Britain has said. Life Between Islands: Caribbean-British Art 1950s – Now features artists working across film, photography, painting, sculpture and fashion. They include those of Caribbean heritage as well as those inspired by the Caribbean, such as Ronald Moody, Sonia Boyce, Claudette Johnson and Steve McQueen. Continue reading... from Culture | The Guardian https://ift.tt/311aXuZ

Comedian Munya Chawawa: ‘People think I blew up in lockdown, but I’ve been doing this for years’

He skewered Matt Hancock with his brilliant viral video ‘It wasn’t me’, and he’s behind a host of other highly contagious parodies. Munya Chawawa tells Sirin Kale why this is the moment he’s long been dreaming of The comedian Munya Chawawa is all eyebrows and incredible ambition. “I love the idea of being indelible, of leaving a mark on the world,” he says. “I can’t process the idea of leaving it without having left something, you know?” He’s bundled in a multicoloured fleece in a quiet corner of a south London pub – softly spoken, respectful, a little intense. In person, his famously abundant eyebrows – which Chawawa describes in his Instagram bio as “erotic” – do not disappoint. Chawawa is best known for his satirical Twitter videos, which skewer trending news stories from Squid Game to Matt Hancock’s extramarital affair, and often feature recurring characters, including racist newsreader Barty Crease, culturally appropriating TV chef Jonny Oliver, and posh drill rapper Unknown P.

Buildings this good should be available everywhere: Oxford unveils two new quads

Exeter College; St Hilda’s College, Oxford From its big, sheltering roof to its little desk windows, Alison Brooks’s new quad for Exeter College is a tour de force that puts people first, while a playful addition to St Hilda’s makes the most of its riverfront setting Just after you enter the Cohen Quad , a building designed by Alison Brooks Architects for Exeter College, Oxford , a perspective of wooden arches recedes before you. They are planar and skinny, like a succession of stage flats, and allow sunlight to filter from the left. The arches pause, then start again in the distance, now made of concrete, lit from the right and aligned at a slightly different angle. The effect is inviting and mysterious, with an enigmatic scale that’s a bit Alice in Wonderland . It’s an elegant rabbit hole. The arches’ rhythm frames irregularities that you might not immediately notice. The floor slopes down at first, following the fall of the land in this particular location. There’s a subtle dilat

Pirates review – Reggie Yates romp set on New Year’s Eve 1999

Three friends head for a garage rave to see in the millennium in Yates’s irrepressible directorial debut It’s New Year’s Eve 1999 and three best friends are driving around north London in a little yellow Peugeot 205 they’ve christened the “Custard Cream”. Think Superbad , but sweeter, as Cappo (Elliot Edusah), Kidda (a scene-stealing Reda Elazouar) and Two Tonne (Jordan Peters) pursue tickets for a sold-out garage rave on the brink of a new millennium. If all goes to plan, Two Tonne will kiss his crush, Sophie (Kassius Nelson), at the stroke of midnight. It’s a bouncy, grin-inducing romp through Caribbean takeaways, designer boutiques stacked with Moschino streetwear and one ill-advised trip south of the river. Sunglasses are worn inside; a member of So Solid Crew is set on fire. The film is as irrepressibly likable as its writer-director, the broadcaster and actor Reggie Yates . The period references to toy Tamagotchis, plum-coloured church suits and garage bangers such as Roy Davis

Greek Myths: A New Retelling by Charlotte Higgins; Medusa: The Girl Behind the Myth by Jessie Burton – review

Weaving women and goddesses burst into life in two compelling new versions of the Greek myths Retellings of classical myths may be all the rage in publishing but, as Charlotte Higgins notes in the introduction to Greek Myths , her own erudite and exhilarating collection, it’s a trend as old as the stories themselves. Though certain versions came to dominate, there was no canonical account of “the Greek myths”, even in antiquity. As she puts it: “Bubbling, argumentative diversity is everywhere in classical literature.” As early as the 5th century BC, Euripides was using these dramas as a lens through which to view his own times more clearly, and their enduring scope for mapping extremes of the human experience continues to lure sharp writers. “The Greek myths are the opposite of timeless: they are timely,” writes Higgins, the Guardian ’s chief culture writer. Continue reading... from Culture | The Guardian https://ift.tt/3o0eVfQ

Sondheim reshaped musical theatre, placing it at the very heart of American culture | David Benedict

The revered lyricist and composer has died at 91, but his search for new ways to express ideas still influences wider culture today If you’ve ever used the phrases “everything’s coming up roses” or “the ladies who lunch”, you have Stephen Sondheim to thank. He coined them in his lyrics for Gypsy (1959) and Company (1970), two of his most celebrated musicals. But for all the felicitousness of his work as a lyricist, he saw himself as a composer. In truth, not only was he both, the combination catapulted him into a league of his own. Within moments of news breaking of his sudden death in the early hours of Friday after a Thanksgiving dinner with old friends, shocked tributes began flooding social media. This wasn’t only theatreland in mourning. Sondheim’s remarkable influence across popular culture was startlingly current for an artist still working at 91. Continue reading... from Culture | The Guardian https://ift.tt/3reWbv7

Rory Kinnear: ‘I’ve been on set during Bond stunts but usually cower in the corner’

The actor on breaking his vow never to ski again for his new stage role, a brush with death in the Namibian desert, and how he remembers his father, Roy Rory Kinnear, 43, known for his original and discerning performances, from Shakespeare’s Iago to Bill Tanner in the Bond films, is about to star at the Donmar Warehouse in Force Majeure , an adaptation by Tim Price of Ruben Östlund ’s chiller of a film about a man who, in what he believes to be a crisis – an avalanche at a ski resort – runs away from his wife and children. It’s a story of desolation, absurdity and unnerving moral ambiguity. Let’s get down to the big question first: can you ski and how on earth is that going to work on stage? We went to Hemel Hempstead’s Snow Centre – up to “the Hemelayas”, and our instructor told us: “If you’ve skied before, you won’t have forgotten.” I’d been skiing when I was 10. I hated it and was shouted at by the skiing instructor. My sister was better at it than me and I vowed I’d never, ever

Lubaina Himid review – a promise unfulfilled

Tate Modern, London Spectacle and passion feel strangely neutralised in this immersive retrospective from the engaging Turner prize-winner The Lubaina Himid retrospective at Tate Modern ought to be momentous. It is certainly overdue – a full-dress museum show for this 67-year-old artist, the first black woman to win the Turner prize , a visionary of evergreen inventiveness and humour, and a much-admired champion of her fellow artists. Himid’s work is as open-armed as her ideas of what art might achieve in this world. Given a whole floor of the Blavatnik building, she has conceived of this event as a kind of promenade theatre in which viewers participate. Which ought to yield a sure-fire hit. Born in Zanzibar to a white English mother and a black African father, the infant Himid was brought to London immediately after his premature death. Her work is constantly circling back to that lost island , making connections between past and present; it has motion as an abiding characteristic

Julie Doiron: I Thought of You review – happy sounds from an unhappy place

(You’ve Changed) The Canadian’s smoky vocals blend hope with pain on this laid-back album of lost love and new beginnings You could think of the prolific Canadian songwriter Julie Doiron as a kind of unsung godmother to Courtney Barnett or the recent crop of North American indie singer-songwriters. She has gone by many band names; occasionally she will put out a record under her own – sometimes in French or Spanish. Some of her noisier work is billed as Julie and the Wrong Guys ; in 2019 she collaborated with Mount Eerie on a quiet, devastated album about him gaining and losing love after a previous partner’s death. As comfortable getting messy in her teenage Sub Pop band Eric’s Trip as she is authoring this more hushed material, her latest record finds Doiron at a laid-back mid-point, fronting a band who can skew elegant or scruffy – witness the Neil Young-derived guitar solo on The Letters We Sent. Continue reading... from Culture | The Guardian https://ift.tt/2Zu11sT

The Gate to China by Michael Sheridan; The World According to China by Elizabeth C Economy – review

Two authoritative books reveal Hong Kong’s role in reviving China’s economic fortunes and Beijing’s attempts to impose its will abroad In celebration of the sixth plenum of the 19th central committee earlier this month, the Chinese Communist party published yet another history of its own glorious achievements. Many pages were devoted to the wise, indeed infallible leadership of the present incumbent, Xi Jinping. Chairman Xi sets considerable store by both territorial integrity and, as he might put it, the righting of past wrongs. In that catalogue, the unequal treaty by which Britain acquired what was seen in the 19th century as an unpromisingly barren rock just off the south coast of China loomed large. The unappealing rock, lacking in almost every natural resource beyond a deep and safe harbour, was to grow into one of the world’s most dynamic and prosperous societies. That Hong Kong flourished as much as it did under British colonial rule was in no small measure thanks to China: p

Jon Snow: ‘I’ve always been emotional and I think it’s a good thing’

Ahead of leaving Channel 4 News next month, the veteran broadcaster talks about becoming a father again at 74, being thought of as ‘a mad, bonkers, lefty oddity’ – and journalism today Even before the pandemic, I used to find TV newsrooms, on the rare occasions I had cause to visit them, anticlimactic: hoping for (if not exactly expecting) the adrenalised mayhem of Network or Drop the Dead Donkey , their preternatural quietness always bemused me. But in the age of Covid, things have, it seems, moved up a notch. At ITV’s headquarters in London, the hush is almost eerie. Many people, if not most, still seem to be working from home. The building brings to mind some sleek new hotel in a city unpopular with business travellers. Lifts move silently up and down. The atriums are cold and empty. As I sit and watch and wait, only rarely does a human being cross the expanse of grey carpet. But then Jon Snow appears, looking like a giant kingfisher in his suit of teal corduroy, and I cheer up

Sunday with Rick Edwards: ‘My cat goes ballistic at 6am’

The radio presenter on early starts, doughnuts for breakfast and a sneaky game of pétanque on Hampstead Heath What time are you up? I get up at 3.30am on weekdays, so I desperately try to lie in on Sundays, although these days with the curse of ageing I struggle to sleep past 8am. Plus, my cat goes ballistic at 6am. I’ll fidget in bed for an hour and a half until my wife asks me to please go away. A morning routine? I’m just waiting for everyone else to get up. I might read downstairs while the cat hassles me, or watch Andrew Marr. We’ll often go for breakfast with friends: Cricks Corner in Dartmouth Park does excellent breakfast baps. And yes, we’ll have doughnuts. It’s Sunday. Don’t judge me. Continue reading... from Culture | The Guardian https://ift.tt/3nZcjPx

Lucian Freud painting denied by artist is authenticated by experts

The artist insisted he did not paint Standing Male Nude, but three specialists have concluded it is his work Almost 25 years ago, a Swiss art collector bought a Lucian Freud painting – a full-length male nude – at auction. He then received a call from the British artist, asking to buy it from him. The two men did not know each other, and the collector politely refused, as he liked the picture. Three days later, he claims he received another call from a now furious Freud who told him that, unless he sold it to him, he would deny having painted it. Continue reading... from Culture | The Guardian https://ift.tt/3nYx1Pr

Screenwriter Jed Mercurio to speak at inaugural Sarah Hughes lecture

TV’s treatment of police corruption and of healthcare will be discussed at an event in memory of the Observer journalist Jed Mercurio, one of Britain’s leading television writers and the creator of Line of Duty , will speak in London on Friday at the inaugural Sarah Hughes Lecture . But this time Mercurio is more likely to be asked about the challenges of representing the world of healthcare and hospitals on television than dramatising investigations into police corruption. Because Mercurio, a former medical practitioner, is also the creator of the witty and dark BBC hospital dramas Cardiac Arrest , about young medics, and, more recently, Bodies . Continue reading... from Culture | The Guardian https://ift.tt/3FWSQoO

Florence Nightingale’s lamp and coded wartime quilt star in new Red Cross museum

Previously unseen treasures from the charity’s history on the frontline are going on permanent display at its London HQ A quilt stitched with coded messages by allied female prisoners of war and a lamp believed to have been used by Florence Nightingale are among the “objects of kindness” that are to go on display for the first time this week. Locked away in the archives of the Red Cross for decades, the rare artefacts bear witness to the kindness and resilience of women in wartime and have never been seen by the public. Now they will be exhibited by the Red Cross when the charity opens a museum at its headquarters in London on Wednesday. Continue reading... from Culture | The Guardian https://ift.tt/31cokYY

Amyl and the Sniffers review – a blizzard from Oz

Electric Ballroom, London Channelling singer Amy Taylor’s rage and joyous abandon, the Australian punk band bring their second album to glorious fighting life We are living through what often feel like end times for genre. If recording studios had windows, rulebooks would be flying out of them constantly, endangering passersby. Crossover smashes such as Lil Nas X’s Old Town Road have been obvious manifestations of this shift. But colouring inside the stylistic lines has been in decline for a while. Few, it seems, want a creative life without hyphens or slashes. Into this free for all come Amyl and the Sniffers , a punk rock band who do one simple thing very well. This is time-honoured stuff – bass judder, scorched earth guitar, pummelling from the kit – but Amyl and the Sniffers take what could be a played-out sound somewhere unexpected, channelling singer Amy Taylor’s rage and joyous abandon. Rippling with sinew and seemingly limitless life force, Taylor is like a boxer crossed wit

Encanto review – Disney musical casts its spell with a little help from Lin-Manuel Miranda

Miranda’s slinky soundtrack and unexpected subtleties align as Disney’s new outsider heroine tries to save her family from ruin The Madrigal clan are a little unusual. The burly Luisa (voiced by Jessica Darrow) possesses superhuman strength, Isabela (Diane Guerrero) has the ability to make flowers burst into bloom, Pepa (Carolina Gaitán) can control the weather with her mood. It’s only bespectacled Mirabel (Stephanie Beatriz) who hasn’t been blessed with magic. An outsider in her own family, she fits right into a lineage of recent Disney animation heroines, including Moana and Frozen’ s Elsa. When the Madrigals’ prized enchanted candle begins to dim (and with it, everyone’s powers), cracks appear in the foundation of the family casa. It’s Mirabel who must figure out how to keep the flame alight. Set among the mountains of Colombia, this sparky musical covers plenty of well-trodden terrain, including sibling rivalry and the crushing weight of family expectations. What’s interesting an

On my radar: Bridget Christie’s cultural highlights

The comedian on Jon Ronson’s take on the culture wars, an app for menopausal women, and a life-affirming book about death Born in Gloucester in 1971, comedian Bridget Christie ’s debut BBC Radio 4 series, Bridget Christie Minds the Gap , was first broadcast in 2013. That same year she toured her show A Bic f or Her , which won the Edinburgh comedy award for best show and a 2014 Chortle award for best tour. In 2015 she published A Book for Her , followed in 2017 by Netflix special Stand Up For Her . She lives in north London with her husband, comedian Stewart Lee, and their two children. Christie’s new show, Who Am I? , is at Folkestone Quarterhouse on 2 December, then Leicester Square theatre, London, 14-18 December. Continue reading... from Culture | The Guardian https://ift.tt/3E0gCj4

We the Crypto People Seek a Constitution

Thousands of Ethereum enthusiasts raised forty million dollars to bid on a first printing of the U.S. Constitution and sent a group to Sotheby’s for the auction. Could they outgun a cryptocurrency-hating hedge-fund billionaire? from Culture: TV, Movies, Music, Art, and Theatre News and Reviews https://ift.tt/3p2iIbX

‘I’m a great audience – I cry very easily’: Stephen Sondheim in his own words

In these extracts from interviews published in the Guardian and the Observer, the musicals maestro – who has died aged 91 – talks about rhyme, reviews and risk People say I always write about such neurotic people. Well, tell me a Shakespeare play that isn’t about neurotic people. That’s what drama is. No problems, no drama. All works of narrative must have a point to do with the consequences of one’s action. If it turns out well it’s comedy; if badly, tragedy.” July 1987 I like that twilight zone between what we call musicals and what we call opera. Song is the key word. I believe in songwriting.” July 1987 I love treating words as if they were just counters on a table, to be moved around … I also like hiding rhymes, tucking them in the middle of lines where no one spots them. I don’t see it as subversive. What have you got to lose?” September 1995 Every time I see A Little Night Music, I trudge in like a schoolboy to class. Then I’m always surprised by how much I like it. It n

The Glass Menagerie review – Ivo van Hove’s subterranean home blues

Internationaal Theater Amsterdam Isabelle Huppert stars in a shrewd staging of Tennessee Williams’ autobiographical memory play, to be livestreamed from the ITA Is this a latecomer weaving through the front row of the stalls? No, it’s warehouse poet Tom Wingfield, narrator of Tennessee Williams’ first hit and most autobiographical play. Nahuel Pérez Biscayart – with brush-up hair and scruffy moustache, wry smile and sunken eyes – doesn’t half look like the playwright as he performs an illusion with a scarf and rope, assisted by the audience. For their own latest magic trick, director Ivo van Hove and designer Jan Versweyveld shrewdly plunge Williams’ 1944 memory play – set a decade earlier, in a St Louis tenement – into a subterranean domain. The family’s Victrola, typewriter and kitchen appliances are present but the floor is earthen, the burrowed walls covered with sketches of the long-gone Mr Wingfield that resemble cave paintings. Continue reading... from Culture | The Guardia

Joanne Froggatt: ‘Mick Jagger is a big Downton fan’

The actor, 41, talks about double entendres and the Duchess of Cambridge, her awe of musicians and why friends call her Jo-Fro My childhood was like Wuthering Heights . I grew up on a smallholding in the middle of the North York Moors. It’s one of my favourite books. My mum used to play the Kate Bush song in the car on the drive to school and we’d all sing along. Fame doesn’t change you, but it gives you confidence to be who you really are. When I was on Coronation Street , at 16, I was very uncomfortable with recognition. By the time I did Downton Abbey , I was older, wiser, prepared for it. Now I just do things my way and try to stay true to myself. Continue reading... from Culture | The Guardian https://ift.tt/3E1NGHj

What connects Janet Jackson’s ‘wardrobe malfunction’ to Shonda Rhimes and John Singleton?

From the Super Bowl to groundbreaking cinema: we jump down the rabbit hole, via a detour to Britney Spears A new documentary, Malfunction: The Dressing Down of Janet Jackson , has revisited the infamous “wardrobe malfunction” at the 2004 Super Bowl half-time show, when Justin Timberlake exposed one of Janet Jackson’s breasts – and nipple adornment – for about a half a second, causing America to lose its collective mind in a manner that was unfathomable then and remains unfathomable now. Continue reading... from Culture | The Guardian https://ift.tt/3DXUV35

Howardena Pindell: ‘I could have died – that’s when I decided to express my opinion in my work’

The African American artist has been making powerful, political work since the late 70s. As a new exhibition in Edinburgh shows, she still has plenty to say Howardena Pindell’s art can seem as if it were made by two separate people. There are the huge canvases where stencilled dots or tiny, hole-punched discs of paper amass like drifts of leaves, which she began making while working as MoMA’s first African American curator in 1970s New York. And then there’s the work that has challenged social injustice with a gut-punch directness since the 80s. It is clear, though, speaking with the 78-year-old ahead of her first UK solo exhibition in a public gallery, that her swirling abstract constellations are not entirely devoid of politics. As a young curator, she’d seen artists with museum day jobs give up their creative lives. Not her. She found time for painting because “the racism [at MoMA at the time] meant I was left out of certain activities. I loved being an artist and I had the stamin

The week in classical: The Valkyrie; Sacconi Quartet review – at the mercy of the gods

Coliseum; Wigmore Hall, London Indisposed singers, doused flames and musical longueurs aside, it’s way too early to dismiss Richard Jones’s new ENO Ring cycle. Elsewhere, the Sacconi Quartet fly on the wings of Jonathan Dove… Wagner maintained that the kernel of The Ring of the Nibelung lay in the second of the cycle’s four operas, The Valkyrie , in which Wotan, flawed leader of the gods, gives an exhaustive account of the backstory. The reason English National Opera began its five-year Ring adventure here, conducted by Martyn Brabbins and directed by Richard Jones , may be more pragmatic. With human emotion at its heart , The Valkyrie can feel like a self-contained work. It lasts five hours, with two extended (and usefully lucrative) intervals. It’s an event . The cycle’s first opera, Rheingold, is roughly half that length, with no interval. There was certainly a sense of occasion at the Coliseum last week. Elite Wagnerians – singers, conductors – were out in force to hear wha

Stephen Sondheim: a daring and dazzling musical theatre icon

The American composer and lyricist, who has died aged 91 , shaped the musical artform with his wise, witty and extravagantly clever work Stephen Sondheim achieved such acclaim – for deepening the content and extending the lyrical ingenuity of musical theatre – that, from the age of 50, each major birthday was celebrated with tribute concerts in London, New York or both. Watching the composer-lyricist of Sweeney Todd and Follies at such events – taking a bow, with his wry smile – it was impossible not to reflect on our luck in coinciding with the life of someone who would clearly stand in the history of the genre alongside such geniuses as Cole Porter, Irving Berlin, George and Ira Gershwin, Leonard Bernstein, Kurt Weill, Richard Rogers and Oscar Hammerstein. Continue reading... from Culture | The Guardian https://ift.tt/3CWcZJA

Best podcasts of the week: the life and death of Diego Maradona

Thierry Henry is among the hosts of a new multilingual podcast about the football legend. Plus: a deep dive It’s Always Sunny in Philadelphia, and I’m Not a Monster returns The Last Days of Maradona “Everyone – fans and non-fans alike – must have asked themselves: how did Maradona’s life end the way it did?” Thierry Henry narrates this podcast about the football legend’s death at the age of 60 in 2020 – part forensic investigation, part homage to his greatness. In a novel twist – and perhaps a sign of things to come for podcasting – the series is also available in French, Spanish, Portuguese and Italian, via a series of hosts. Hannah J Davies Continue reading... from Culture | The Guardian https://ift.tt/3DXJTuO

Australian TV reporter Matt Doran gives lengthy on-air apology after he ‘insulted’ Adele

Channel Seven reporter says his failure to listen to Adele’s album was a ‘terrible mistake’ Australian TV reporter Matt Doran has made a lengthy, unreserved apology to Adele for failing to listen to her new album before an exclusive interview with the singer, calling the bungle a “terrible mistake”. Doran made international headlines this week for his interview with the singer, which was canned after he conceded he had only heard one track from her latest work, 30. Sony is refusing to release the footage. Continue reading... from Culture | The Guardian https://ift.tt/3HXvOzW

UB40 unveil wooden maps celebrating Birmingham’s musical heritage

Series of 30 maps highlights underappreciated musical impact of the city UB40 have launched a series of maps celebrating Birmingham’s musical heritage that will be featured at every railway station across the city. Revealing the first of 30 specially commissioned works at Hall Green station as part of the Musical Routes project, the reggae group welcomed the installation that celebrates the underappreciated musical impact of the city. Continue reading... from Culture | The Guardian https://ift.tt/3HWGA9j

Both/And by Huma Abedin review – an innocent at the heart of power

Hillary Clinton’s right-hand woman details the shock and humiliation of the scandal that sank her marriage, and a presidential campaign Huma Abedin hadn’t been working in the White House long when the Monica Lewinsky scandal broke. Although she would eventually become like a second daughter to Hillary and Bill Clinton – most visibly as the former’s right-hand woman during the 2016 presidential election campaign – she was then just a distant junior aide to the first lady. Perhaps that explains why, as she writes in her new memoir, she initially assumed the rumours couldn’t possibly be true. Everyone in politics was young and starry-eyed once. Unusually, however, Abedin seems to have stayed that way. Even when the president actually confesses to the affair she was sure hadn’t happened, she resolves sternly to “put my judgments and emotions aside” and focus on the bigger picture. Hadn’t she been taught as a child that “slander, gossip and exploiting people’s personal weaknesses are amon

Paul O’Grady: ‘I’m not worried about sex, money or fame – I just want a mongoose’

The comedian and broadcaster on a near fatal heart attack, his fear of rats and flashing his bum from a train Born in Birkenhead, Paul O’Grady , 66, found fame as the drag queen Lily Savage, who became presenter of the TV gameshow Blankety Blank in 1997. After retiring the character in 2004, he was given his own chatshow, The Paul O’Grady Show, which won a Bafta in 2005 and ran until 2015. He has just published his first children’s book, Eddie Albert and the Amazing Animal Gang: The Amsterdam Adventure , and there will be special Christmas episode of his new ITV show Saturday Night Line Up . O’Grady has a daughter and lives with his husband in Kent. When were you happiest? When I hit 30 and managed to get a council flat in London. It was in the most terrible state, but it was bliss to have a flat of my own. Continue reading... from Culture | The Guardian https://ift.tt/311On4P

Author Preti Taneja on realising she had taught the Fishmongers’ Hall attacker: ‘We were all unsafe’

It was the day after the London Bridge atrocity that the writer discovered she knew the man responsible. Two years later, she reflects on that time and the fallout that followed It wasn’t until the morning after the terror attack at Fishmongers’ Hall, London, in 2019, that Preti Taneja realised she knew the perpetrator. Her partner read out his name from a news report over breakfast: Usman Khan. The 28-year-old had taken the creative writing course she led in HMP Whitemoor, a high-security category A prison, two years earlier. The report said he had been shot dead by police, after stabbing five people, two fatally. Khan had been an enthusiastic student, keen to show off his literary knowledge as well as his writing. When he was released in December 2018, he was encouraged to continue working with the prison education programme Learning Together , which brings students into prisons to learn alongside people who are incarcerated. Continue reading... from Culture | The Guardian http

Gaby Hoffmann: ‘I really love my job, but I don’t want to do it that often’

Despite being a child actor and having her own sitcom at 12, the star of Transparent and new film C’mon C’mon is happiest out of the spotlight There were only a few occasions when the famed self-portraiture artist Cindy Sherman took photos of someone else and, at just five years old, Gaby Hoffmann became one of them. In the portrait, Hoffmann remembers with a knowing snort, she was dressed as the devil. Posing for one of the world’s most famous photographers was no fluke: Sherman was Hoffmann’s stepmother (she married Hoffmann’s older sister’s father), and as a child Hoffmann would regularly run riot in her studio, throwing on costumes and playing with props. “Then when I was a teenager I lived with Cindy, and when Halloween came that’s where I would go to dress up. My kids now enjoy it. It’s a family resource!” This might sound like a less than conventional way to get your hands on a costume come 31 October, but such a life was pretty normal for Hoffmann. Growing up in Manhattan’s

Inside story: the first pandemic novels have arrived, but are we ready for them?

Ali Smith, Sally Rooney, Roddy Doyle … is there anything can we learn from the first Covid-19 books? • ‘It was a call to arms’: Jodi Picoult and Karin Slaughter on writing Covid-19 into novels At the start of the second world war, authors asked themselves if they were going to write about their unprecedented times, or if they should be doing something more useful – joining the fire service, becoming an air raid warden. The phoney war, with its uncertainty and dread, proved hard to write about, but the blitz brought new experiences and a new language that demanded to be recorded or imaginatively transformed. Elizabeth Bowen began to write short stories, somewhere between hallucination and documentary, that she described as “the only diary I have kept”. Set in windowless houses populated by feather boa-wearing ghosts, these are stories that take place in evenings “parched, freshening and a little acrid with ruins”. When lockdown hit last March, some writers offered their services as

The stars with Down’s syndrome lighting up our screens: ‘People are talking about us instead of hiding us away’

From Line of Duty to Mare of Easttown, a new generation of performers are breaking through. Meet the actors, models and presenters leading a revolution in representation In the middle of last winter’s lockdown, while still adjusting to the news of their newborn son’s Down’s syndrome diagnosis, Matt and Charlotte Court spotted a casting ad from BBC Drama. It called for a baby to star in a Call the Midwife episode depicting the surprising yet joyful arrival of a child with Down’s syndrome in 60s London, when institutionalisation remained horribly common. The resulting shoot would prove a deeply cathartic experience for the young family. “Before that point, I had shut off certain doors for baby Nate in my mind through a lack of knowledge,” Matt remembers. “To then have that opportunity opened my eyes. If he can act one day, which is bloody difficult, then he’s got a fighting chance. He was reborn for us on that TV programme.” It’s a fitting metaphor for the larger shift in Down’s syndr

From House of Gucci to a lost David Bowie album: a complete guide to this week’s entertainment

Whether it is a live gig, a new film or a game to play at home, our critics have your plans for this week covered House of Gucci Out now Lady Gaga is all the reason anyone should need to catch this glossy crime drama about the demise of the Italian fashion dynasty. If you need further incentive: it’s directed by Ridley Scott, , and Adam Driver, Salma Hayek, Jared Leto and Al Pacino also star. Continue reading... from Culture | The Guardian https://ift.tt/3DZMO5Y

Stephen Sondheim: master craftsman who reinvented the musical dies aged 91

Scoring his first big hit with West Side Story at 27, the US composer and lyricist raised the art form’s status with moving and funny masterpieces including Follies and Company ‘His songs are like a fabulous steak’: an all-star toast to Sondheim Stephen Sondheim, the master craftsman of the American musical, has died at the age of 91. Over the course of a celebrated career spanning more than 60 years, Sondheim co-created Broadway theatre classics such as West Side Story, Gypsy, Sweeney Todd and Into the Woods, all of which also became hit movies. His intricate and dazzlingly clever songs pushed the boundaries of the art form and he made moving and funny masterpieces from unlikely subject matters, including a murderous barber (Sweeney Todd), the Roman comedies of Plautus (A Funny Thing Happened on the Way to the Forum) and a pointillist painting by Georges Seurat (Sunday in the Park With George). Continue reading... from Culture | The Guardian https://ift.tt/3CWhmV3

‘Mexico is ridiculously beautiful’: how Forza Horizon 5 drove fresh sights into living rooms

The UK developers at Playground Games explain why they cut no corners in creating the latest Forza game, and wanted to ensure it gives players an authentic and cliche-free view of the Mexican landscape There is a moment all Forza Horizon 5 players will experience when they first venture off road into rural Mexico. They will bust through a wall, or reach the summit of a steep hillside, and then, spread out before them as far as the eye can see, will be fields of the most glorious orange flowers. These are Mexican marigolds, or cempasúchil , which are closely associated with the country’s Día de los Muertos festival. It is believed their vibrant colour and heady scent help to guide the spirits of the dead back to their graves and altars. “When you look at the flowers you can see the individual petals,” laughs the game’s art director Don Arceta. “We love doing farmland – it’s a real opportunity to show the native agriculture that makes each landscape unique. This is the first Horizon g

‘I’ve always been drawn to loners’: Ann Dowd on Aunt Lydia, Mass and playing it mean

From The Handmaid’s Tale to Hereditary, the 65-year-old actor owns malevolence. She talks about her Oscar-tipped role as a school-shooter’s mother in Mass – and why men are more vulnerable than women Many people don’t want to see Ann Dowd’s new movie. Even the most positive of its reviews from Sundance called it “excruciating”, “exhausting” and “tortuous”; an endurance test some will not be willing to endure. Including Dowd herself, who has yet to watch it. “We’ve talked about it a lot, the cast, and we have different points of view,” Dowd says to me over coffee in Chelsea, New York, conscious that Mass is a tough sell. “When people ask me , I say this film has tremendous hope and that it has to do with healing and forgiveness. I don’t give the specifics.” Continue reading... from Culture | The Guardian https://ift.tt/3DWI2WP

Roman Britain is still throwing up secrets – and confounding our expectations | Charlotte Higgins

The discovery of a splendid mosaic in a villa buried under farmland is a thrilling find that sets the imagination racing Walking the local landscape was a feature of many lives during the lockdowns in Britain last year. Not everyone discovered a ravishing Roman mosaic while rambling across the family farm, but Jim Irvine did. He contacted archaeologists at Leicestershire county council. That led to an excavation with the University of Leicester and the discovery of a third- to fourth-century villa . At its heart is a great mosaic, 11m by 7m. What is so special about this mosaic is its subject. It is unique in Britain (though who knows what lies unseen beneath other fields?) in that it shows, in three cartoon-strip-like panels, scenes from the Trojan war. Specifically, it narrates episodes from the climax of Homer’s Iliad. Scene one, the topmost strip, has the Trojan prince Hector and the Greek champion Achilles in battle. Scene two, Achilles drags the naked corpse of Hector behind h

The War of Nerves by Martin Sixsmith review – inside the cold war mind

The psychology behind an age of nuclear brinkmanship that terrified a generation The world as we know it might have ended in September 1983. It didn’t, thanks to the gut instinct of Lt Col Stanislav Petrov , who was the base commander of the Serpukhov-15 missile alert centre outside Moscow. When alerts flashed on to their computer screens warning that five US Minuteman nuclear-armed missiles had been launched at the Soviet Union, protocols dictated that Petrov should have instantly notified the Kremlin, so that General Secretary Yuri Andropov could authorise a massive retaliatory strike. Instead Petrov went through 30 levels of additional checks on the data. They confirmed that a single base had indeed launched its missiles. And yet still he hesitated before picking up the hotline to the Kremlin: “For two or three minutes, I didn’t analyse anything. I was left with my intuition. I had two arguments. First of all, why would the US launch a rocket attack from a single base? They’d fire

‘Twas the Fight Before Christmas review – festive cheer turns to horror with the neighbour from hell

Becky Read’s documentary about a Christmas-obsessed man who inflicted camels, choirs and thousands of visitors on a small town is anxiety-inducing – and totally enraging I was going to advise anyone of a nervous disposition to take a fistful of diazepam before they settle down to watch ‘Twas the Fight Before Christmas (Apple TV+). But I suspect the best advice is not to watch it at all. It’s virtually the festive season. There will be enough anxiety and rage soon enough. No need to invite it early by watching the true story of Jeremy Morris and his unblinking determination to bring “Christmas cheer” to a quiet corner of North Idaho. This film by director Becky Read, about the slow and steady unfolding of the average citizen’s worst nightmare, starts innocuously enough. Christmas-loving lawyer Morris joyfully recounts to the camera what a success he and his wife Kristy enjoyed one year with a spontaneous yuletide event at their home – lights! All over the house! Candy for the kids! Ho

Westlife: Wild Dreams review – desperate divorced-dad energy

(Warner Music) The stool-bound ballads are the highlights, but elsewhere the icky lyrics and outdated production keep the man-band well away from cool From Sex and the City to pop-punk to low-slung jeans and tiny bags, the early-00s revival has been wide-ranging and frantic. It feels easier to list the turn-of-the-millennium culture that hasn’t been post-ironically reappropriated by Gen Z – and Irish crooners Westlife are among the last ones standing (or rather, perched uncomfortably on a tall stool). Not that the foursome, who specialised in soppy, R&B-dusted pop, have been idly waiting to be rediscovered. After their astonishing 00s success (17 consecutive top-five singles, including 14 No 1s), the group split up in 2012, and re-formed in 2018 . Their chart-topping comeback album, Spectrum , drew on the songwriting nous of young(ish) talents Ed Sheeran and James Bay. Wild Dreams reunites the band with Sheeran for the melodically pleasant but lyrically lacklustre My Hero, while

Robot artist to perform AI generated poetry in response to Dante

Ai-Da used data bank of words and speech pattern analysis to produce and perform a work that is ‘reactive’ to the Divine Comedy Dante’s Divine Comedy has inspired countless artists, from William Blake to Franz Lizst, and from Auguste Rodin to CS Lewis. But an exhibition marking the 700th anniversary of the Italian poet ’s death will be showcasing the work of a rather more modern devotee: Ai-Da the robot, which will make history by becoming the first robot to publicly perform poetry written by its AI algorithms. The ultra-realistic Ai-Da, who was devised in Oxford by Aidan Meller and named after computing pioneer Ada Lovelace, was given the whole of Dante’s epic three-part narrative poem, the Divine Comedy , to read, in JG Nichols’ English translation. She then used her algorithms, drawing on her data bank of words and speech pattern analysis, to produce her own reactive work to Dante’s. Continue reading... from Culture | The Guardian https://ift.tt/313knFB

Devin Hoff: Voices from the Empty Moor review – stellar lineup for the twists of Anne Briggs

(Kill Rock Stars) The experimentally minded bassist and star guests including Sharon Van Etten and Julia Holter create these unusual reimaginings, though the vocals don’t always suit Briggs’s songs Motivated by Bikini Kill to pursue a musical career in the 1990s, bass player Devin Hoff has spent the past decade inspired by another radical artist, the folk singer and songwriter Anne Briggs . In the 60s and 70s, Briggs revived English, Scottish and Traveller songs and wrote her own lovely, twisted compositions before retiring to rural Scotland. Hoff is a long-term experimentalist and collaborator who has worked with Yoko Ono, Cibo Matto and Sharon Van Etten – the last of whom is one of several stellar guests on this unusual set of reimaginings of Briggs’s work. Julia Holter and drummer Jim White appear too, but Hoff’s bass should command the most attention. It sets the scene majestically on opening track She Moved Through the Fair: layers of long, low, scraped notes creating shudde

Chouette by Claire Oshetsky review – a feminist fairytale explores mother-love

Full of dark humour, this enthralling debut furiously eviscerates society’s need for normality Tiny is pregnant, but not as we know it: she is expecting an “owl-baby”, the result of a secret tryst with a female “owl-lover”. “This baby will never learn to speak, or love, or look after itself”, Tiny knows. Her husband, an intellectual property lawyer, thinks her panic is just pregnancy jitters, and that she’s carrying his child. Even when he finds a disembowelled possum on the path and his “well fed” wife sitting in the dark (“It didn’t feel dark to me. I see everything”), he doesn’t believe. Then the baby is born. Chouette, Claire Oshetsky’s first novel, is part feminist fairytale in the vein of Angela Carter, part suburban body horror. Its epigraph is a quote from the David Lynch film Eraserhead : “Mother, they are still not sure it is a baby!” That film, which centres around an alien-like infant, was, according to Lynch’s daughter Jennifer, based on her own “birth defects”. Oshetsk