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Laura Nyro: the phenomenal singers’ singer the 60s overlooked

Elton John idolised her and she wrote hits for the likes of Barbra Streisand, but her musical ambitions were out of sync with the times. Now a new collection reveals her intense originality in full

Whatever role Laura Nyro chose to play – earth mother, soul sister, angel of the Bronx subways – she committed to it. With a soaring, open-hearted voice and ingeniously crafted compositions, Nyro transformed a range of influences into her own kind of art song. She made vertiginous shifts from hushed reveries to ecstatic gospel-driven shout-ups with an intensity and a courage that, as Elton John would point out, left its mark on many contemporaries who achieved greater commercial success.

As the music of the 1960s reached a climax, no one else merged the new songwriting freedoms pioneered by Bob Dylan with the pop sensibility of the Brill Building tunesmiths to such intriguing effect. As a teenager, she wrote And When I Die and Stoney End, songs that became hits for other artists. Her own enigmatically titled albums – Eli and the Thirteenth Confession, New York Tendaberry, Christmas and the Beads of Sweat – showed a precociously sophisticated sensibility.

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from Culture | The Guardian https://ift.tt/370yR9d
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