Skip to main content

Pedro and Ricky Come Again by Jonathan Meades review – dandyish Hulk rampage

From Duchamp to Orwell, fascism to Brexit … this collection of journalism and speeches showcases one of the world’s best haters, who has never composed a dull paragraph

Jonathan Meades is a sceptic. Not in the debased sense of someone who gullibly parrots the claims of shills and the deluded that global warming is a hoax, or that masks don’t mitigate the spread of respiratory viruses. Nor in the idly egotistical sense Meades himself identifies as “the English bents towards spiritual sloth and intellectual incuriosity, what we dignify as scepticism”. But in the fiery and ancient sense of scepticism: he is not just a man of little faith but an enemy of belief itself: a jeerer at creeds, a sneerer at doctrines of all flavours, metaphysical and otherwise.

He has too much sly wit, of course, to identify himself as such: “While it would be beguiling to appoint oneself part of that knowing cadre which lacks conviction,” he admits in the preface to this new collection of journalism and speeches, “I lack the conviction to do so.” He does not, like some celebrity pontificators, award himself a gold star for his ability to identify junk. He is too busy enjoying himself blowing raspberries. Meades sees faith everywhere, and loudly despises it everywhere. Not just in the screeds of terrorists or Catholics, about which he is entertaining enough (in one piece, he refers lightly to “the Church’s strong suit, paedophilia”), but also in politics.

Continue reading...

from Culture | The Guardian https://ift.tt/2QtuNtv

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...