The first digital-native superstar has far more music industry power than her pop predecessors, but she still faces toxic levels of scrutiny
In a typical scene from Billie Eilish: The World’s a Little Blurry, the documentary’s pop star subject is in the back yard, surrounded by her family. She is busy filming preliminary scene sketches to show her video team what she wants from her next music video. Eilish’s mum plays the role of Billie, sitting at a precisely angled table and pretending to drink from a glass. “Don’t zoom,” Eilish orders the video team from behind the lens. “Don’t do anything like these bozo fucking film-makers do.” On the actual video shoot, for her song When the Party’s Over, Eilish is the locus of control, making the director seem like her meek deputy. When she leaves the set, she tells her mother and manager that she’s directing the rest of her videos herself.
Related: The betrayal of Britney Spears: how pop culture failed a superstar
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