At 83, the saxophonist has somewhat mellowed his funkily avant-garde music – but his anger at the racial injustice he has fought all his life remains undimmed
One night at Five Spot Cafe in the early 1960s, two gangsters were sitting at the bar when Cecil Taylor’s group started to play. Taylor, a pianist, poet and leading figure in the new vanguard of jazz musicians, was known for his intense sets that could – on the wrong night – clear bars completely. This particular evening on the Lower East Side, he had a small but committed crowd in, plus the two hoods, who began to talk loudly as the band struck up.
Archie Shepp, who was sought out by Taylor to play saxophone alongside him, remembers a young fan confronting them. “He was accosted by one of these thugs who knocked him down,” says Shepp. “The club was just about empty, but it was quite something because this guy stood up for the music and insisted that they be quiet.”
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