(Transgressive)
She may be saddled with being the Voice of a Generation, but the London singer-songwriter’s warm, conversational and observant debut justifies the hype
It’s hard to know how to feel about the state of Arlo Parks’ career. The obvious response is to be hugely impressed: here she is, at 20 years old, surfing a wave of critical acclaim, the release of her debut album heralded by vast billboards around London and what’s effectively her own TV special, courtesy of Amazon. Not bad for someone who was hopefully uploading their demos to the BBC’s Introducing site a couple of years ago. Then again, it’s a hard heart that doesn’t also feel a twinge of pity. The poor woman has been stuck with the Voice of a Generation tag, a surefire way of lumbering an artist with expectations anyone would struggle live up to: “a term that can create problems for anybody,” as Bob Dylan – who should know – once put it.
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