Skip to main content

Don't go breaking my art: it's time to axe the mood-ruining, bar-scrambling interval

Covid has forced pianist Stephen Hough to play at different times – without a break. And he’s loved it so much, he doesn’t want to ever go back

When my book Rough Ideas was published last year I, like everyone else on the planet, had no idea how much and how quickly life in 2020 would change with Covid-19. Its chapters about music and composers and practising (and even recording) remain pertinent, but the section entitled Stage, about life on the road, backstage, in airports, in hotels – in short, life as a concert pianist – seems like scenes from another world.

There would be additional chapters if it were to be written today: playing for sparse, distanced audiences whose response to the music is hidden behind masks; regulations for behaviour on- and offstage (“Do not touch the piano except for the keys”; “Do not gather with members of the orchestra”). I’m convinced that in time we will return to a full concert and theatre schedule, but for the moment there are adjustments to be made. And some of these may end up as permanent changes.

Continue reading...

from Culture | The Guardian https://ift.tt/36grtH0

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...