Skip to main content

Daytime dream: The Chase is the undisputed king of quizshows

How Bradley Walsh led the ITV quizshow to the top of the daytime viewing charts, with a bit of banter and a lot of laughter

There is a certain alchemy to the creation of a hit quizshow. Since the foundational premise is always the same – punters lining up to answer questions for the chance to win money – producers have to come up with increasingly elaborate ways of engaging audiences. There is Danny Dyer’s monolithic and eternally confusing The Wall, Ben Shephard’s giant penny-slot machine on Tipping Point and Michael McIntyre’s spinning The Wheel.

Yet, these gimmicks do not guarantee a hit. Take, for instance, the prop-free Pointless – a show so witheringly dry that watching it can feel like crunching through a mouthful of crackers – and yet it remains one of the BBC’s quizshow staples, now in its 24th season. The key to Pointless’s success lies not in its contestants, nor even in its seemingly simple premise of guessing the least guessable answer. The key to Pointless’s popularity lies in the interplay of its hosts, Alexander Armstrong and Richard Osman. The former is the RP-speaking straight-man to Osman’s witty factchecker. Viewers stay glued for their chatter; it is a reliable, comforting and consistent presence on the weekday schedules.

Continue reading...

from Culture | The Guardian https://ift.tt/2Ku47VV

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...