Skip to main content

Great excavations: Elizabeth Price on unearthing the truth about work

Mines, ties and felt-tip pens take on subversive new meanings in the films of the Turner-winning artist. She talks about hidden trauma, ‘horrible’ language – and what the Covid crisis has revealed

In 2016, Elizabeth Price curated an ethereal, elusive exhibition called In a Dream You Found a Way to Survive and You Were Full of Joy. She chose work that was particular to her, close to her heart. On one level, it was about the idea of the horizontal. It was full of recumbent sculptures, queues, processions, dances, snowdrifts, ribbons, and flags. At the same time, it was infused with thoughts of sleep, dreams and death.

“I was drawing on connections I’d been putting together over years and years, things that had been formative,” says the artist. “It was a view of what art can be, or what my relationship with art is.” Her latest exhibition, by contrast, has at its heart the idea of the vertical. For Slow Dans, a trilogy of multiscreen video works, she flipped the projector. Visitors to the large 19th-century assembly hall in which the show unfolds will see works on long, thin screens, 3 metres tall by 1.5 metres wide.

Continue reading...

from Culture | The Guardian https://ift.tt/2YzBjzI
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more