How the Texan trio’s woozy sound, inspired by Thailand, Mexico and west Africa, perfected the art of ‘Earth music’
Onstage, the Texan trio Khruangbin are a strange sight to behold. At their sold-out show at London’s near-5,000 capacity O2 Academy Brixton last December, guitarist Mark Speer and bassist Laura Lee, dressed in long, black, heavily fringed wigs, sway in unison, while bald drummer DJ Johnson sits calmly in his poncho, pensively holding the groove. All three sing amorphous vowel sounds over Speer’s downtempo, wailing guitar melodies while the crowd of teens, jobbing musicians and parents savouring a night out howl along to the strings, trying to keep up with their electric range.
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