The ‘Wacko Jacko’ persona was a deliberate ruse to cover a much darker truth, says Jacques Peretti as he examines his own complicity in letting the pop star off the hook
If you keep wondering what to think about Michael Jackson’s complicated legacy – is it OK to play Billie Jean at a party? Do you have to switch radio stations if Smooth Criminal comes on? – imagine how Jacques Peretti feels. He has made three films about the pop icon in the past 15 years and in this, his fourth, he aimed to build the fullest picture yet. But how many of us are brave enough to confront that picture?
The Real Michael Jackson (BBC Two) comes just over a year after the broadcast of HBO/Channel 4’s Leaving Neverland, a gruelling, four-hour documentary built around the detailed accounts of two men, Wade Robson and James Safechuck, who say they were sexually abused by Jackson as children. Peretti’s film was initially billed as a rival Jackson film, but in the event, it’s much more like an unofficial sequel; a film that could not exist if Leaving Neverland hadn’t cleared the media’s hagiographic haze, but which also provides necessary context on the huge fallout from Jackson’s 2009 death.
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