Skip to main content

The Sims at 20: two decades of life, love and reorganising the kitchen

In The Sims, if you get a job, buy a house and earn more money then happiness will follow. It’s a beguiling capitalist fantasy

Like many girls of my generation, I first played The Sims at a sleepover. It was at my friend Hannah’s house; three 11-year-olds huddled in front of her dad’s bulky old computer monitor at midnight, gazing into a miniature house populated by tiny people going about their inexplicably compelling daily business. We took turns sending them to work, changing the wallpaper, and ordering them to put dirty dishes in the dishwasher instead of leaving them to gather flies. We bought them a little telly, a nice couch, a blender, paging covetously through the game’s furniture catalogue. With a thrill, we discovered we could make Sims “smooch” (though we were disappointed to learn that they couldn’t actually bone down – that wouldn’t happen until The Sims 2). Before we knew it, it was 3am.

Almost everyone has played The Sims. With four main instalments, countless add-ons and spin-offs, and more than 200m sales worldwide, equalled perhaps only by Tetris in its universality. One thing creator Will Wright realised very early on was that the game was appealing to a large female audience. Whereas in the past “a large female audience” meant maybe 5% of the user base, with The Sims, women were the majority. A friend’s mother played so much Sims that she forgot to clean the actual house for weeks.

Continue reading...

from Culture | The Guardian https://ift.tt/31fFe4S
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more