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Kesha: High Road review – bringing the girl back to the party

(RCA/Kemosabe)
Kesha’s fourth album sees her return to her party-girl 2010s persona, full of glitter-pop but with a new self-awareness

Kesha’s new album begins with a U-turn. After a few bars of tinkling piano balladry, the pop star drops a low-riding bassline and launches into the bratty style of rap-lite that made her famous in 2009 (recall her debut single Tik Tok, when she announced that she brushes her teeth with Jack Daniels). The quick genre-flip in Tonight is a sign of things to come from the singer’s fourth album: she has mostly ditched the gutsy drama of her last record and, instead, re-embraced her party girl persona. Case in point: the bouncy title track High Road, with its not-so-subtle double entendre: “I’m taking the high road / I’m high as fuck.” This is more like the Ke$ha who arrived in the early 2010s: dirty mouthed, silly, and always up for a big night out.

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from Culture | The Guardian https://ift.tt/37HXtlG
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