Skip to main content

Flights review – lads' drinking game ends in grief and regret

Project Arts Centre, Dublin
Cracking male banter gives way to seeping sadness in John O’Donovan’s play about three men grieving for their friend

Tripping on drugs, 17-year-old Liam lies down on an empty road and sees his future flash before him. In John O’Donovan’s intricately structured new play for One Duck Theatre, the mystery of Liam’s final hours on a summer’s night in County Clare brings his three best friends together but also threatens to push them apart. In an empty shack on the edge of town, Cusack (Conor Madden), Barry (Colin Campbell) and Pa (Rhys Dunlop) gather to mark the 17th anniversary of Liam’s death. Playing a comically elaborate darts and drinking game, they tear through the cans and cocaine.

This could be a regression to their youthful selves for one night, but director Thomas Martin’s sensitive staging suggests a sense of arrested development; as if their bereavement is something they can’t get past. As in O’Donovan’s previous work, cracking male banter shifts into another mode, self-aware and raw.

Continue reading...

from Culture | The Guardian https://ift.tt/36Bo3LU
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more