The Umbrellas of Cherbourg, a life-enhancing 60s sensation, is about to enrapture a new generation of filmgoers
Voguish director Damien Chazelle’s pick for “the greatest movie ever made” isn’t his masterwork La La Land, or even Citizen Kane. It’s The Umbrellas of Cherbourg. Chazelle claims to have watched this New Wave classic more than 200 times, and regards his own not-quite-Oscar-winning 2016 musical as a crypto-remake of Jacques Demy’s entirely sung-through phenomenon.
It wasn’t love at first sight. Initially, Demy’s film, with its strange operatic style, “threw me for a loop,” says Chazelle. On its debut in 1964, it provoked a similarly perplexed response. Yet it went on to win the Palme d’Or and five Oscar nominations; it pulled in more than a million filmgoers in France alone, and became an enduring obsession for those, like Chazelle, who have fallen under its spell.
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