Alexandra Schwartz reviews Jonathan Kent’s restrained staging of Florian Zeller’s play, which plunges the audience into a fearful place where reality, memory, and imagination mingle indiscriminately.
from Culture: TV, Movies, Music, Art, and Theatre News and Reviews https://ift.tt/2n3qSVt
from Culture: TV, Movies, Music, Art, and Theatre News and Reviews https://ift.tt/2n3qSVt
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