The artform has allowed many female illustrators to confront how they see their bodies and how their bodies are seen by the man around them
In Commute: An Illustrated Memoir of Female Shame, Erin Williams draws herself dozens of times. The rough, reality-based illustrations of her body move through the memoir’s pages both as a person enduring the banal, and as a sexualized figure, recovering from trauma. Spanning a single day with extended departures into reflection and digression, the memoir chronicles both the journey of a daily commute, and a larger one from blackout sexual encounters to sobriety and motherhood. That means a fair amount of difficult, sometimes shame-filled, material: “All the mornings I woke up and couldn’t remember whether I’d had sex the night before, I’d finger myself to see if I was sore,” writes Williams beneath a drawing of her with a hand beneath her scrunched-up shorts.
Related: Before emojis: the utopian graphic language of Marie and Otto Neurath
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