Skip to main content

15 of the best Edinburgh festival shows now touring

The festival is over for another year but plenty of its theatre, comedy and dance hits have announced dates around the UK

Collapsible
Breffni Holahan gives a searing performance as Essie in Margaret Perry’s corrosive play about a woman’s disintegration. Essie is trapped atop a stone plinth dusted in dirt. Gigantic spikes of rock splinter the air around her. Her feet dangle. Having lost her job and broken up with her girlfriend, she is in every way ungrounded. This is where Perry’s play is rooted: in the queasy gap between her feet and the floor. KW
At HighTide festival, Aldeburgh, 10-15 September.
Read our four-star review

All of Me
This used to be a lighter, more hopeful kind of show about depression, Caroline Horton explains. But she became ill again, so now All of Me is unashamedly bleak. Her depression is interwoven with myth, switching abruptly from ancient narrative to everyday hopelessness. One moment, Horton is approaching the guardians of the underworld; the next, she’s lying on the floor in unwashed clothes. Through layers of storytelling, song and looped sound we hear the overwhelming noise of despair – as well as its occasional absurdity. CL
At the Yard, London, 10-28 September.
Read our four-star review

Continue reading...

from Culture | The Guardian https://ift.tt/344F1m6

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...