Skip to main content

Blake Morrison on Skipton: ‘I joined the village choir, as a way of seeing my mates at weekends’

The poet and author on two inspiring English teachers and the arrival of a youth club that opened up his world

When asked where I grew up, I say Skipton, as there’s a chance people will have heard of it, but really it was a village several miles away, Thornton-in-Craven, to which we moved when I was six, a village so small that the primary school had only 18 pupils. We lived at the top of the hill, in what had previously been a rectory. Out front, in the distance, lay purple moor; to the left a valley that led to Skipton, gateway to the Yorkshire Dales; to the right small industrial Lancashire towns – Earby, Colne, Nelson and Burnley (the last boasted a top-flight football team, as it does again today).

The village wasn’t isolated – a road ran through it, one so busy that my parents banned me from having a bicycle – and in those days there was a shop. Once a year, when not rained off, there’d be a fete. But there wasn’t much happening for children, least of all on Sunday, which is why, at nine, I joined the village choir, as a way of seeing my mates at weekends. My atheist dad and lapsed-Catholic mum weren’t keen (I may have been the first child in Christendom to beg permission to go to church), though they did attend one carol service to hear me sing the opening verse of “Once in Royal David’s City”, a solo part I suspected I’d been given not because of my fine treble voice but because of my status as the son of GPs.

Continue reading...

from Culture | The Guardian https://ift.tt/2xMTbd3

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...