Skip to main content

Michelle Wolf: the unstoppable rise of America's provocative political comic

Her caustic White House correspondents’ dinner speech will be no shock for fans of the former Daily Show contributor

When Michelle Wolf arrived at the Edinburgh festival in 2016 she was the latest in a long line of bubbling-under US standups to use the fringe to hone their craft and build an international audience. She returned home with a nomination for best newcomer, and a reputation firmly established for smart, sly, social commentary – laughing in the gaps between political principle and personal weakness. Suffice it to say that, in the last 48 hours, that reputation has extended its reach thanks to her caustic routines about senior figures in the Trump administration at the White House correspondents’ dinner.

I saw her perform twice at Edinburgh – in her own show So Brave, and then supporting Louis CK during his short run. What marked Wolf out, at a festival where more and more comics trade in storytelling or emotional intimacy, was the leanness and efficiency of her comedy. She was, in short, a pro – giving us just enough personal revelation and no more, alongside sharp and steely gags about modern feminism, abortion and dating. In light of this weekend’s hoo-ha, it’s interesting to note that – just as the storm clouds of a Trump presidency were gathering – her material on The Donald was strictly limited. “It’s hard to make a joke out of someone that’s a joke,” she told the Guardian in 2016. “After a while you’re like, ‘This is just sad.’”

Continue reading...

from Culture | The Guardian https://ift.tt/2JDq8Md

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...