Skip to main content

Blossoms: Cool Like You review – sleek and sweet Mancunian pop rock

(Virgin EMI)

What if the Killers hadn’t grown beards after Hot Fuss, and had instead set about writing 11 new versions of Mr Brightside? Mancunian pop-rockers Blossoms’ second album is your answer. The quasi-indie quintet may harbour none of the euphoric spite and savagery of countrymen Oasis and the Stone Roses, and rarely summon New Order’s wistful truculence, but their occasionally derivative songs come bolstered with as many hooks as a Peter Pan audition. 

Lead singer-songwriter Tom Ogden’s decision to write with synths instead of guitars delivers a set that’s sleeker and stronger than their promising 2016 debut, if sadly sheared of the squalling solos and spacey psych that gussied up old tunes such as Honey Sweet and Smashed Pianos. Similar to long-forgotten second-stage acts the Mock Turtles or the Railway Children, Ogden’s band rarely feel like lasting stars. Yet with his dependable ability to spin candyfloss melodies around new-wave grooves, he might still stellify Blossoms with a Brightside of their own. Until then, Cool Like You is as good as today’s British pop rock gets. How you feel about that will be entirely dependent on your age.

Continue reading...

from Culture | The Guardian https://ift.tt/2JCeyBa
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more