Skip to main content

Snow joke: why the Christmas No 1 single is still big business

Tis the season for novelty hits, charity records and, now, songs about baked goods. But though everyone wants a festive No 1, they rarely stay up longer than the tinsel

For a nation so obsessed with the Christmas No 1 – as much part of the festive season as overboiled sprouts and Lynx Africa – Britons are awfully sanguine about what they put at the top of the charts each year. Since the chart began in 1952, only 12 Christmas No 1s have had some clear and unambiguous connection to the season: two of them have been versions of Mary’s Boy Child and three have been Do They Know It’s Christmas?

While we have our platonic ideals of what a Christmas No 1 should sound like – somewhere between Mariah Carey and Slade and slathered in sleigh bells – the history of UK Christmas No 1s tells a different story. The Britain reflected in our seasonal chart toppers is one that is nostalgic, silly and generous. And it is inconstant: at Christmas, Britain wants only something to make it feel good, and is happy to cast its December favourites aside the minute it’s New Year’s Eve.

Continue reading...

from Culture | The Guardian https://ift.tt/32e0tsA

Comments

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs