Skip to main content

Rowan Moore’s best architecture of 2021

From affordable housing to an Oxford quad, beauty and practicality cut through debates over cladding, billionaires – and a mound

What can be said of a world where one billionaire wants to build a giant tulip-shaped tower of little practical use and another wants to house thousands of students in windowless rooms in a block with all the charm of an Amazon distribution centre? The first, designed by Foster + Partners for the Brazilian Jacob Safra, was supposed somehow to boost confidence in the City of London by building what would have been only the world’s second highest flower-themed absurdity, a taller Lotus Tower having already been built in Colombo, Sri Lanka. The second, Munger Hall, is the dormitory for the University of California, Santa Barbara, where in return for donating $200m of the $1.5bn cost the 97-year-old Charlie Munger is insisting that 94% of residents have no natural light in their rooms.

At least the British government saw sense and refused the Tulip planning permission, whereas plans are still proceeding for Munger Hall. Both projects seem driven by ego, but in the wide space between the brutal functionalism of the latter and the redundant gesturing of the former you might hope to find places where beauty is put in the service of the usual and unusual needs of human life. My top five, I submit, achieve this.

Continue reading...

from Culture | The Guardian https://ift.tt/3qhA7hk

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film A film that I watch at least once a year is Andrei Tarkovsky’s Solaris . I’ve loved all of Tarkovsky’s works, even the most difficult. Some I’ve seen in the cinema, others on television. I saw Andrei Rublev at the cinema, and on the big screen it was astonishing, its black-and-white extraordinary: I’ll probably never see it again in a cinema, but I hope that young people will have the opportunity. I also saw Solaris on the big screen – not Tarkovsky’s best film, but the one that made the greatest impression on me. I remember that it was advertised as the Soviet answer to 2001: A Space Odyssey – a completely misleading slogan. To see in it a cinematic contest between the US and the USSR was as silly as it was misleading. Kubrick’s marvellous film, with its imaginative force, would certainly win. But it doesn’t have even a hint of the desperation, of the sense of loss, that dominates Sol...