Skip to main content

Maya Hawke: ‘My parents didn’t want to have me do bit-parts in their movies’

The Stranger Things star on viral fame, the challenges of dyslexia, and convincing her actor parents she wanted to follow in their footsteps

New York-born Maya Hawke, 23, began her career in modelling before making her screen debut as Jo March in the BBC’s 2017 adaptation of Little Women. She was Linda “Flowerchild” Kasabian in Quentin Tarantino’s Once Upon a Time in Hollywood and plays Robin in Netflix hit Stranger Things. Hawke now stars in Mainstream, directed and written by Gia Coppola. She lives in New York and is the daughter of actors Uma Thurman and Ethan Hawke.

Your new film Mainstream is a satire on viral fame. Are people too reliant on their mobile phones nowadays?
I’m sure they are, but it would be hypocritical of me to be judgmental because I love my phone. I love that I can go for a walk, put on headphones, listen to Phoebe Bridgers, feel melancholy and cry. I love that I can take a bath, play an audiobook and learn about neuroscience while I wash my hair. For someone who travels all the time and hates being alone, that connectivity is awesome. I use my phone all the time but I’m sure it’s rotting my brain and separating me from real connections. For my generation it’s hard to know life without it and what we’re missing out on.

Continue reading...

from Culture | The Guardian https://ift.tt/3BwD8ha
Labels:

Comments

Post a Comment

Popular posts from this blog

Pop's coolest choreographer Marion Motin: 'I want to touch your soul'

The woman who got Christine and the Queens and Dua Lipa moving talks about her switch to Rambert and partying on tour with Madonna ‘I’m a lazy girl,” says Marion Motin, laughing at herself. The French choreographer is sitting back in her chair, smiling, dressed in a baggy tracksuit and mismatched earrings. She is laid-back, sure. But lazy? I don’t believe her. This is a woman who created all the choreography for Christine and the Queens’ Chaleur Humaine tour in just 10 days. Who got through the notoriously gruelling audition process to dance on tour with Madonna. Who founded her own all-female hip-hop crew, Swaggers, 10 years ago, to show that women can win dance battles too (and they did). Continue reading... from Culture | The Guardian http://bit.ly/2JbolC5
Post a Comment
Read more

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

A little rain must fall: the tragic secret of a musical movie masterpiece

The Umbrellas of Cherbourg, a life-enhancing 60s sensation, is about to enrapture a new generation of filmgoers Voguish director Damien Chazelle’s pick for “the greatest movie ever made” isn’t his masterwork La La Land, or even Citizen Kane. It’s The Umbrellas of Cherbourg. Chazelle claims to have watched this New Wave classic more than 200 times, and regards his own not-quite-Oscar-winning 2016 musical as a crypto-remake of Jacques Demy ’s entirely sung-through phenomenon. It wasn’t love at first sight. Initially, Demy’s film, with its strange operatic style, “threw me for a loop,” says Chazelle. On its debut in 1964, it provoked a similarly perplexed response. Yet it went on to win the Palme d’Or and five Oscar nominations; it pulled in more than a million filmgoers in France alone, and became an enduring obsession for those, like Chazelle, who have fallen under its spell. Continue reading... from Culture | The Guardian https://ift.tt/37GLogV
Post a Comment
Read more