Skip to main content

Los Espookys review – a wacky wonder of a horror show with Fred Armisen

A group of friends find a market for gruesome ‘dark parties’, in a delightfully creepy Spanish-language comedy that’s unlike anything else on TV

Plenty of new comedies aim for originality, but few reach the heights of individuality that the charming Los Espookys (Sky Comedy) does in its debut. This Spanish-language series is an HBO import which feels quite unlike anything else on television, and it inhabits its own oddball skin so easily that it takes a moment to realise just how slyly surreal and clever it is.

Essentially, it is a workplace comedy, but when that workplace involves using ropes and lighting tricks to spin a “possessed” young girl in midair as she projectile vomits all over a charismatic young priest, you know this is not going to be about hiding staplers in jelly or photocopying one’s body parts. Los Espookys are a group of four goth-adjacent friends who specialise in staging horror scenes. After organising a gruesome quinceañera, where they turn a cake into a rotting mound of flesh, they soon realise there is a market for “dark parties”, and they find a keen selection of people who wish to make any given ordinary scenario into a deeply creepy one.

Continue reading...

from Culture | The Guardian https://ift.tt/3BucEx4

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...