Skip to main content

Songlines and stolen children: lessons from Indigenous Australians

The UK/Australia Season is the largest ever cultural exchange between the two nations, including shell-covered slippers, a 19th-century Indigenous cricket team and uprising anthems linking Brixton to Palm Island

Margo Neale is feeling proud. “Here we are,” she says, “250 years after the British set out to colonise and civilise us, taking our culture to the British – to teach them how to survive in this fragmenting world.” Neale, an Indigenous Australian from the Gumbaynggirr and Kulin nations, is just warming up. “It is our civilisation,” she continues defiantly, “that had the resilience to survive over millennia: the ice age, sea rises, drought, invasion, violence, all sorts of oppression and pandemics. So, this is us showing Britain we have the knowledge to survive – knowledge held in the songlines.”

Neale, who is also of Irish descent, is talking about the plan to bring the National Museum of Australia’s extraordinary 2017 exhibition Songlines, which she co-curated, to Britain. The show will have its European premiere at the Box in Plymouth – which is where, Neale can’t resist pointing out, Captain James Cook set sail from in 1768, becoming the first European to set foot on the east coast of Australia.

Continue reading...

from Culture | The Guardian https://ift.tt/3AMpUNR

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV