Skip to main content

Mythosphere review – bullied girl takes erratic flight for the bird realm

Stone Nest, London
Inna Dulerayn’s hallucinatory and astonishingly costumed fantasia disintegrates into incoherence in the second half

Under the arches of an old Welsh chapel, beaked angels sing to a little lost girl. Inspired by ancient folklore and performed through psychedelic multimedia, this Russian-UK collaboration is a wild, radically uneven ride that believes in the power of magic and the strength of imagination.

Enormous stretches of gauze fill the gaps of the beautiful, crumbly building. Behind them, our cast are part shrouded in near-constant hallucinatory projections. The first half of this show, created by Inna Dulerayn, has utter clarity in its strangeness. The story moves gently between a young girl (Edyta Budnik) reading from her diary – plain, clear prose about being bullied at school and escaping to the magical land of Mythosphere v and interludes of opera from the angelic birds who live there.

Continue reading...

from Culture | The Guardian https://ift.tt/3CJOS15
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more