Skip to main content

Freshman Year review – mortifying mumblecore look at a student hookup

Cooper Raiff stars as an immature student awkwardly adjusting to college life – and the idea that love might not be easy to come by

Cooper Raiff is the 24-year-old actor, writer and director making his feature debut with this intimate microbudget feature in the mumblecore style; it was a prize winner at the 2020 online SXSW festival, which led to Jay Duplass shepherding this wider release. Alex (played by Raiff) is a first-year college student who is desperately shy and has a childhood soft toy in his room. (In the first scene, Alex imagines this creature speaking to him silently and derisively in subtitles, a gag and a style of comedy not developed in the rest of the film.) Alex also has a mortifying habit of bursting into tears when he telephones his mother and sister, whom he misses desperately.

One night at a party, Alex has a wonderful romantic connection with supercool Maggie (Dylan Gelula); they have sex and hang out all night, and poor Alex thinks that this could be a wonderful relationship. But the next day, Maggie is weird and distant around him (she has already told him that she broke up with her high-school boyfriend because of her many infidelities), and Alex has to consider the possibility that this is what hooking up is like. Maybe there is no emotional content – or maybe people in their freshman year just aren’t ready for it.

Continue reading...

from Culture | The Guardian https://ift.tt/3AWSufI

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...