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Frans Hals: The Male Portrait review – painting as performance art

Wallace Collection, London
Revered by Manet and Van Gogh, scorned by Kenneth Clark, the great 17th-century portraitist captures each sitter in the moment with astonishing force and freedom

The brewer is mighty: a man of outsize prowess looking down on you with all his shrewd vigour, satin doublet straining to contain his huge girth. The hat is so large it has its own planetary halo; the lace collar could cover a table. It is not hard to imagine the awful strength of his grip.

He was the owner of the Swan’s Neck brewery, this gentleman of Haarlem. But he was also a lavish collector of Dutch portraits, and none can have exceeded this one. From the affable yet undeceived eyes to the reddening jowls, the shaggy pelt of hair to the elbow jutting out of the frame in a dazzle of creased satin, everything is painted with an apt and equivalent force. The portrait rises to meet the man at every turn.

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from Culture | The Guardian https://ift.tt/3CNiXwJ
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