Skip to main content

Up close and dangerous: the irresistible allure of DH Lawrence

For decades he was wildly out of fashion, now DH Lawrence is everywhere – from novels and biographies to a new adaptation of Lady Chatterley’s Lover

When the clock struck for lockdown last March, many of us found ourselves condemned to live alongside people in more intense proximity than we’d bargained for. Flatmates, spouses, children were no longer occasional companions but a constant presence. For me, this has been the case with DH Lawrence.

Having committed to writing a book on him, suddenly I found myself sequestered with him. There was a time when this would have felt sexually charged. In my 20s, I fell for his vision of bodily life, as so many of his female readers had done. “His intuitive intelligence sought the core of woman,” Anaïs Nin wrote after his death. Visiting the shrine at Lawrence’s former ranch in New Mexico in 1939, WH Auden mocked the “cars of women pilgrims” traipsing “to stand reverently there and wonder what it would have been like to sleep with him”.

Continue reading...

from Culture | The Guardian https://ift.tt/3kDJogH
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more