Skip to main content

Feminism for Women: The Real Route to Liberation by Julie Bindel – review

The co-founder of Justice for Women’s inspiriting book is the perfect primer for understanding the current state of feminism

Away from the sulphurous world of Twitter, the feminist campaigner and journalist Julie Bindel is best known as the co-founder of Justice for Women, an organisation that since 1990 has advocated for those convicted of murder after having experienced violence by men; JfW campaigned successfully for the release of Emma Humphreys, who killed her violent pimp, Trevor Armitage, in 1985, and more recently for Sally Challen, who was convicted of the murder of her abusive husband, Richard, in 2010. Thanks to this work, and to her reporting elsewhere, Bindel also has expertise in the areas of porn, prostitution and sex trafficking; she was one of those who helped to break the story of the grooming gangs operating in the north of England, an investigation that would eventually lead to the independent inquiry into child sexual exploitation in Rotherham in 2013.

All of which surely makes her a Good Thing: a person of integrity, bravery and determination. But alas, as she writes in her new book, Feminism for Women, there are people for whom none of this is relevant. To them, Bindel is a Bad Thing, and they would like her to disappear – if not from the world, then at least from public life. In recent years, she has been de-platformed by numerous universities and other institutions following protests by assorted trans activists and their allies, among them those who argue that “sex work is work”. Even when such events do go ahead, there’s often trouble. At one, a man tried to punch her in the face. At another, a debate about pornography, her opponent, a man who has made money in that industry, was given a warm welcome by the students who’d tried so hard to get her taken off the bill. What, you might well wonder, has she done to invoke such anger, disapproval and bizarre contrarianism? Why does her past now count for so little? Is it really such a crime to believe, as she does, that sex is a material reality, and gender a social construct?

Continue reading...

from Culture | The Guardian https://ift.tt/3sYSpVF

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...