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Almost Liverpool 8 review – portrait of a postcode searches for the Toxteth spirit

This celebratory documentary captures the spirit of a strongly multicultural community but avoids probing the unrest of 1981

As a community organiser says at the start of this documentary, the name Toxteth – apparently hardly used in the area pre-1981 – has become synonymous with riots. Directors Daniel Draper and Allan Melia set out to show otherwise in this artfully shot but only loosely structured documentary; less an oral history of the L8 postcode than a contemporary social snapshot with a neighbourly penchant for doorstep chats in search of the Toxteth spirit.

“There’s a lot going on,” observes a Nigerian-Russian-Spanish-Jewish beautician. It’s Toxteth’s multiculturalism and tolerant ethos, on streets once occupied by dock workers, that Almost Liverpool 8 is most at pains to show. We encounter Jamaican beekeepers, Yemeni newsagents, Arab rotisserie workers. The area is home to what may be the UK’s oldest black community and Draper and Melia include a short section on how Toxteth mobilised for Black Lives Matter. But it’s here that their celebratory approach shows its limits: refusing to delve into the 1981 unrest allows us to glean only an indirect understanding of the community’s underlying concerns and its long-term politics.

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