Skip to main content

Can the British countryside cope this summer?

During the first lockdown, farmer James Rebanks was astonished by a visitor-free Lake District. Ahead of a super-season of domestic tourism, he wonders if there’s a better way

Last March, I stood in the middle of the A66 between Penrith and Keswick and gawped at what had become a ghost road. It is one of the main routes in and out of the Lake District, where I’ve lived all my life, and usually roars with traffic. But there wasn’t a vehicle for miles. I just stared, stunned by the silence. The sun was shining in a deep-blue sky, the birds were singing, but it felt apocalyptic, as if I were the only person left in the world.

In those first weeks of lockdown, the whole landscape came to seem radically different. The shores of the lakes were abandoned, even on sunny days; the car parks were empty; the footpaths and fells silent. It felt wrong to enjoy this time that was terrible for so many people, but, in truth, many of us did. The 19 million visitors a year to the Lakes are an accepted fact of our day-to-day lives, and I never imagined they would not be here. Now I could see what it might be like to live without them all around us, something perhaps a lot of rural people had long wanted.

Continue reading...

from Culture | The Guardian https://ift.tt/3qphaJi

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...