Skip to main content

The Beast Must Die review – Cush Jumbo plots grief-fuelled revenge

BritBox’s first original drama is a taut thriller, with Jumbo playing the mother of a hit-and-run victim who hunts down odious prime suspect Jared Harris

I love a drama premise you can really get behind. The Beast Must Die (BritBox) follows the hunt by bereaved mother Frances (Cush Jumbo) for the driver of the vehicle that killed her six-year-old son in a hit-and-run on the Isle of Wight three months earlier. Partly because the police have failed to find the culprit and partly so that when she does, she can kill him. As she points out, if the boy had been killed by someone with his own hands instead of with his car, there would be a national outcry, and no one would rest until the beast was caught.

By the end of the first two episodes made available for streaming (the remaining three will drop weekly on Thursdays), Frances has followed up on clues and extracted information from repair shops about damaged bumpers. She has also befriended the emergent key witness Lena (Mia Tomlinson) by pretending she is doing research for a novel about a young woman similarly trying to make it as an actress/gig-economy worker, and is sitting down for dinner with the man apparently responsible, like an avenging angel at the feast.

Continue reading...

from Culture | The Guardian https://ift.tt/2TtuD6B
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more