Skip to main content

Jim Snidero: Live at the Deer Head Inn review – a glorious sense of swing

(Savant)
Snidero and band take comfort music to the next level in this hugely enjoyable, at times mind-boggling set recorded last year

Believe it or not, this was recorded last October – live, before an audience (small and wearing masks) at a jazz club in rural Pennsylvania. Jim Snidero, an alto saxophonist I admire for the deceptively easy grace of his style, had not played in public for about seven months, and neither had the other members of his quartet. They play brilliantly here, especially Snidero and pianist Orrin Evans, although the whole performance is, not surprisingly, a bit more intense than usual.

The programme consists of eight familiar standards: “comfort music”, according to Snidero. It brings out his perfect taste with ballads, never overdoing the decoration on My Old Flame, and releases the whole band’s glorious sense of swing in faster numbers. Bassist Peter Washington and drummer Joe Farnsworth maintain a kind of springy balance that lifts the music so that it seems almost to be floating. I found following Snidero’s sinuous progress through the harmonic outskirts of Bye Bye Blackbird mind-boggling and, at the same time, hugely enjoyable. It’s easy to forget how exciting straight-ahead jazz improvisation on old songs can be, until something like this turns up unexpectedly.

Continue reading...

from Culture | The Guardian https://ift.tt/34q7Hau

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV