Skip to main content

Beth Ditto: ‘Seeing Boy George was like coming home’

Growing up in the Bible Belt, MTV opened up a world that felt free for Beth Ditto. Here, the singer writes about queer visibility and why positive role models are still so vital

My earliest memories of queerness come from pop culture. I was born in 1981, when it felt like queer culture was just pop culture. This was around the time that Girls Just Want to Have Fun and Material Girl came out. Prince was everywhere, as was Annie Lennox and Culture Club. Boy George was really the first explicitly queer person I saw on TV; I was four years old. My mom had me young (even though I was her fourth kid) and she was a “cool mom” – meaning we had cable TV. I remember we’d watch MTV, which was brand new, and that’s where I saw Boy George. I was so enamoured of him. It didn’t not make sense to me. I never thought: so that’s a boy dressed as a girl? Wearing makeup? It was almost like it was home.

Not everybody felt that way. After I saw my first images of queer people on MTV, the channel was banned in our town, Searcy, a small place in Arkansas. The county was and still is influenced by a very conservative Christian college – you couldn’t go to a bookstore and buy a gay or feminist magazine, you had to ask behind the counter. We weren’t even allowed to have dances! It was the Christian college that made the cable company drop MTV and when they did, those images of Prince, Annie Lennox and Boy George were the last glimmers of pop culture I’d see for a while. But they stuck with me. It’s like I had a tiny window into queerness in my little developing brain. I took those moments and ran with them. They shaped my idea of what gender is and what music is.

Continue reading...

from Culture | The Guardian https://ift.tt/3fyB2WB

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...