Skip to main content

‘I couldn’t even move my eyeballs’: how dancer Tiler Peck stepped back to the barre

The New York City Ballet star talks about her thrilling lockdown collaboration with master choreographer William Forsythe – and the injury that almost ended her career

Possibly the best piece of dance to come out of lockdown is William Forsythe’s The Barre Project. This half-hour film set to the music of James Blake transforms something basic and well-worn – the ballet dancer’s daily exercises at the barre – into something completely fresh. It is short but magnificently satisfying, and thrilling in its low-key virtuosity.

Forsythe is a master choreographer, but The Barre Project’s brilliance is in large part down to its central dancer, Tiler Peck, a principal with the New York City Ballet. Peck is breezily effortless even at top speed, titanium-strong, crystalline in clarity. She’s also a dancer of warmth and connection, that California-girl sunniness in evidence when she Zooms from her apartment in New York. She has just arrived back from the west coast, where she spent the last year teaching a hugely successful Instagram ballet class from her parents’ kitchen, garnering celebrity fans and an increasing public profile.

Continue reading...

from Culture | The Guardian https://ift.tt/3b7oenB
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more