Skip to main content

Hear me out: why She's the Man isn't a bad movie

Continuing our series of writers defending loathed films is a reappraisal of Amanda Bynes’s gender-swapping 2006 comedy

I’m sure you must be wondering why a movie in which there is a scene where Amanda Bynes, playing a girl pretending to be her brother, screws up her face to stridently declare in a cartoonishly male voice, “I am a dude. I am a hunky dude! I’m a badass hunky dude!” was not lauded for being an example of comic excellence. OK, maybe you’re not wondering that but I certainly am. This is one of the most spectacular moments of hilarity in She’s the Man, the 2006 adaptation of William Shakespeare’s Twelfth Night, a stone-cold teen comedy classic that deserves far more recognition than the mediocre reviews gave it.

Related: Hear me out: why Speed 2: Cruise Control isn't a bad movie

Continue reading...

from Culture | The Guardian https://ift.tt/3m1mHDz
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more