Skip to main content

Ammonite review – a chilly love among the fossils

Kate Winslet and Saoirse Ronan’s 19th-century romance showcases their talents but doesn’t warm the heart

This handsome second feature from the writer-director of 2017’s brilliant God’s Own Country is another hesitant love story set against the backdrop of a bracing British locale: the sea-battered Dorset coast around the famous Cobb of Lyme Regis harbour. It has been the setting for some overcooked screen moments in the past, although the emotional weather forecast here is frosty with occasional storms.

Kate Winslet is superbly flinty as Mary Anning, the 19th-century palaeontologist whose under-attributed finds have graced the display cases of the British Museum since her childhood. An early image sees a handwritten label for the historic “Sea Lizard, found by Miss Mary Anning” being tuttingly replaced by a floridly embellished sign reading “Ichthyosaurus, Lyme Regis, Presented by H Hoste Henley Esq”. It’s a concise way of illustrating both Anning’s outsider status (her role in the discovery is effectively usurped) and the snobbery of an establishment averse to inclusivity.

Continue reading...

from Culture | The Guardian https://ift.tt/31qj2FT

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...