Skip to main content

Restless Natives review – classic Scottish comedy is a reminder of a sweeter era

A gleeful sense of humour powers Michael Hoffman’s 1985 crime caper, part of Scotland’s cinematic response to Thatcherism

“Guns are for LASSIES! Nobody seems to put the BOOT in any more!” This rousing manifesto for muscular non-armed crime of the traditional sort comes from one of the hardened villains that surreally pop up in this intensely likable Scottish caper from 1985, with a soundtrack from Big Country. It was part of a boom in Britmovie comedy of the era when Scotland was becoming caustically alienated from Thatcherite England, and which gave us Bill Forsyth’s Gregory’s Girl, Comfort and Joy and Local Hero. The script from Ninian Dunnett was originally the winning entry of a screenwriting competition (Dunnett in fact wrote no more for the screen after this, and became an author and social historian) and it was directed by the anglophile and caledonophile American Michael Hoffman.

Related: The 50 best films of 2020 in the UK: the full list

Continue reading...

from Culture | The Guardian https://ift.tt/37Lgztr
Labels:

Comments

Post a Comment

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...
Post a Comment
Read more

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...
Post a Comment
Read more