Skip to main content

Pompeii vexes board with appointment of German director

Archaeologist Gabriel Zuchtriegel takes controversy in his stride as he develops programme for site

Gabriel Zuchtriegel is used to ruffling a few feathers. In 2015, the German archaeologist was hired to manage Paestum, a vast park of ancient Greek ruins in the southern Italian region of Campania. He was among the first crop of foreigners picked to direct an Italian museum or cultural site as part of what was a contentious drive to revamp the management of the country’s heritage. Not only was he foreign but he was the youngest person in charge of a major site.

Six years on, Zuchtriegel, now 39, provoked a fresh quarrel last week after being appointed director of one of the world’s most treasured archaeological sites: Pompeii. Within hours, two of the park’s board members resigned, with one of them telling the press that Zuchtriegel – who was credited by the culture minister, Dario Franceschini, for having done an “incredible job” at Paestum – didn’t have enough experience to take the helm at Pompeii.

Continue reading...

from Culture | The Guardian https://ift.tt/3bHdRpN

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...