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Nick Cave and Warren Ellis: Carnage review – the firebrand returns

(Goliath/AWAL)
The grief remains, but Cave’s hunger for retribution is back too, heightened at every turn by Ellis’s strings, on this wild, writerly masterpiece

It’s been some time since a swaggering Nick Cave has threatened his listeners with violence. Cave’s last record, 2019’s Ghosteen, mourned the sudden loss of his teenage son Arthur with a gut-howl of grief and a parade of horses, boats, suns, young children and Buddhist folk tales, all wrapped up in violinist Warren Ellis’s keening sounds.

But midway through this surprise 18th studio album – recorded last year without the majority of the Bad Seeds, but with Ellis as general vibes-bringer – Cave’s protagonist wants to “shoot you in the fuckin’ face”, repeatedly, “just for fun”. These are threats backed up by the skulk of White Elephant’s electronic bassline, the clank of its percussion and Ellis’s ever-tightening garotte of strings.

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from Culture | The Guardian https://ift.tt/2ZTFO8f

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