Skip to main content

Medal of dishonour: why do so many people cheat in online video games?

Online cheating has become an infestation – but the idea of bending the rules has been part of gaming culture from the start

Fall Guys had only been online for two days when it started. This bright, silly multiplayer game, in which rotund Day-Glo bean people race toward a finishing line avoiding giant tumbling fruit pieces – a sort of digital equivalent of a school sports day, albeit a slightly hallucinogenic one – had tens of thousands of players, but it didn’t seem like it would attract cheaters. Surely it was too frivolous, too much about the shared joy of slapstick comedy? Yet in they came: players using speed hacks (a type of cheat that increases the speed your avatar can run at) to win races against other Day-Glo bean people. A totally meaningless, seemingly reward-free victory. Why?

For many, cheating utterly ruins the experience of a multiplayer video game. Even if you are not directly affected, it breaks the social contract. “When people play a competitive game together, they conjure the world of that game into existence through mutual agreement: this is the aim, these are the restrictions on how we can achieve that aim,” says game designer Holly Gramazio. “When you realise that someone is cheating, it can disrupt that mutual agreement and call the whole experience into question.”

Continue reading...

from Culture | The Guardian https://ift.tt/3qRiNPd
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more