Skip to main content

It's grin out there: why have lockdown deniers co-opted the smiley face?

The blissed-out symbol of acid house has been given a new meaning in 2021. Should ravers be up in arms?

It was an emoji before emojis were born – an early viral image of the media age. The smiley can probably be traced back to 1960s US kids’ TV show The Funny Company but its paradoxical quality of simplistic ambiguity has made it endlessly adaptable. It’s been co-opted by Mad magazine, Nirvana, Talking Heads and the Watchmen comic series, but its most enduring usage surely began in the late 1980s when flyers for house pioneer Danny Rampling’s Shoom night in London featured the image. Before long, the smiley was on magazine covers and Top of the Pops; the beaming yellow face of a blissed-out era and a symbol of scandal, too – the implacable trickster facade of the latest tabloid moral panic.

Related: The Guide: Staying In – sign up for our home entertainment tips

Continue reading...

from Culture | The Guardian https://ift.tt/2NB7bBN

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...