Skip to main content

The Great British Art Tour: Turner brings to life an apocalypse – from the safety of his studio

With public art collections closed we are bringing the art to you, exploring highlights from across the country in partnership with Art UK. Today’s pick: Liverpool’s Eruption of the Soufrière Mountains by JMW Turner

At time of writing, scientists are monitoring increased seismic activity at La Soufrière volcano on the Caribbean island of St Vincent, which could erupt at any time. The last major eruption of St Vincent was in 1979, the eruption before that, in 1902 , killed more than 1,500 people. And before that there was the eruption of 1812. Of course, there are no photos of this earlier scene of destruction but we have a painting of it by JMW Turner.

Turner presents us with spectacular pyrotechnics of flames and molten lava shooting upwards, lighting up the night sky and the billowing clouds of sooty smoke. Scorching missiles fired from the crater flare then fall. The foreground is silhouetted against dazzling light and we see a small boat ferrying a few vulnerable souls away from the deadly assault. It is a scene that is both sublime and terrible.

Continue reading...

from Culture | The Guardian https://ift.tt/2Ym3EZM

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...