Skip to main content

Modern slavery in The Archers: how credible is its latest shocking plotline?

When Ambridge builder Philip Moss turned out to be a gangmaster – employing homeless Britons as unpaid workers – some thought it a plot twist too far. But the radio soap had done its homework

When characters in The Archers discuss feeding their horses, you assume they are talking about taking hay out to their livestock, so it is perplexing to discover that these “horses” thrive on pizza, cigarettes and beer.

The more casual listener might have formed the impression that divorced builder Philip Moss was a mild-mannered, middle-aged birdwatcher who never says anything interesting. It has been startling to learn that he is in fact an evil gangmaster. Over the past year, Philip has acquired three slaves, who have been working unpaid on his construction projects. In muttered conversations with his son, he refers to them as “horses”, talking approvingly about one who is placid and easy to manage, and praising another who is strong as an ox.

Continue reading...

from Culture | The Guardian https://ift.tt/3aof4lr

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV