Skip to main content

'I'm flabbergasted': Monique Roffey on women, whiteness and winning the Costa

The Mermaid of Black Conch’s author explains why she expected ‘a quiet life’ for the formally daring, magical realist novel that has been declared book of the year

After two decades of splashing around in the shallows of success, Monique Roffey was taking no chances with The Mermaid of Black Conch. The novel, which won the Costa book of the year award on Tuesday, is written in a Creole English and uses a patchwork of forms, from poetry to journal entries and an omniscient narrator, and “employs magical realism to the max”. Even its title was against it, she realised. “You’re either going to read a novel about a mermaid or you aren’t.”

Any one of these, she says, would scare away most publishers. So when one, the independent Peepal Tree Press, did bite, she launched a crowdfunder to enable her to hire her own publicist. It’s a mark of the esteem in which the 55-year-old author and university lecturer is held by those familiar with her work that 116 people chipped in, raising £4,500 within a month. Then, two weeks before the novel was due to be published, the UK went into lockdown, shutting bookshops and forcing the cancellation of a tour that was particularly important for a writer who has always swum between two continents and two cultures.

Continue reading...

from Culture | The Guardian https://ift.tt/3iQXk5L

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV