Skip to main content

Passing sentences … what’s the worst kind of book thief?

Theft is never a great thing, but there must be a special place in hell for those who steal libraries’ shared cultural treasure

A 13th-century inscription in an early copy of Bede’s commentary on the Gospel of Saint Luke (originally from Reading Abbey and now in the British Library) reads “Quem qui celaverit vel fraudem de eo fecerit anathema sit”, translated as “Anyone who conceals or does damage to it, may he be cursed”. Such curses in manuscripts aimed at those who might dare to steal them from medieval monastic libraries were not uncommon, but the custodians of the library of San Pedro in Barcelona were considerably less circumspect with their maledictions, warning potentially light-fingered readers that: “For him that stealeth, or borroweth and returneth not, this book from its owner, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted.”

Whether it is because we regard our own book collections as deeply personal, reflecting elements of our personalities, or because books already provide such extraordinary value for money, book thefts seem to fire our imaginations: see the recent story about the recovery of £2.5m of rare books stolen in a “Mission Impossible-style theft”. But this week’s admission by Cambridge University that two of Charles Darwin’s manuscript notebooks appear to have been stolen raises some interesting moral questions that – as a bookseller – have bothered me for some time.

Continue reading...

from Culture | The Guardian https://ift.tt/37fzz1U

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV