Skip to main content

Joni Mitchell: 'I'm a fool for love. I make the same mistake over and over'

As she releases a box set of her earliest recordings, in a rare interview Mitchell talks about life before fame, the correct way to sing her songs – and her long struggle to walk and talk again after an aneurysm

“I was lying in bed last night thinking about getting a cat,” says Joni Mitchell. It’s an early summer Sunday, and she’s sitting in her backyard patio, nicknamed Tuscany. Behind her a bird feeder is busy with hungry visitors. “And this guy shows up at the gate around midnight, meowing.”

A light-brown kitten with long white paws, only a few months old, leans contentedly against her shoulder. “I hope nobody comes to claim him,” she confides softly. They’re fast friends. Nearby Marcy Gensic, Mitchell’s longtime friend and associate, mentions they’ve papered the neighbourhood with lost notices. No calls yet. So with our midnight visitor, tentatively named Puss ’n Boots, tucked in the lap of this treasured artist, Mitchell is here to discuss the new set of early recordings she never intended to release: Joni Mitchell Archives Vol 1: The Early Years (1963-1967). For years she doubted their place in the revered canon of her carefully curated albums. “Some of the melodies are beautiful,” she told me in an interview in 2004, “but they’re very ingenue-y.” She seemed almost wistful. “God, they’re so vulnerable in these tough times. They’re like some ancient world.”

Continue reading...

from Culture | The Guardian https://ift.tt/34x1NoY

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...